A familiar but action-packed whodunit.
A bar owner takes on the role of detective in the first installment of Kirsch’s (The Big Job, 2018, etc.) new mystery series.
Janet Black is the proprietor of a friendly neighborhood bar in Knoxville, Tennessee, called the Spot. She loves the place, but she finds that managing it presents some challenges; for example, it appears that one of her employees has been stealing from the register, and she’s focused on finding the culprit. Then one day, she discovers a dead body behind the bar. It’s Ike Freeman, a formerly troublesome regular. The police attempt to pin the murder on Janet’s sexy boyfriend, Jason, a security expert with a juvenile criminal record for computer hacking. To clear his name, Janet decides to do a little digging on her own. It also turns out that Ike had a rough past in which he left a trail of destruction. Then one of Janet’s employees, who likely has knowledge of the crime, disappears—and so does Jason. She later finds evidence of police corruption, and when another body turns up in the bar, Janet escalates the investigation further; she eventually gets all the suspects together in one room—a move reminiscent of Agatha’s Christie’s legendary detective Hercule Poirot. Kirsch’s witty whodunit includes plenty of red herrings and a long list of potential suspects with plausible reasons to commit murder. The protagonist, a minor character from the author’s Stella Reynolds series, is a little rough around the edges, but readers will find her to be likable enough to carry her own story. She’s sharp, she swears, and she’s not always right, but she does everything with an appealing sense of humor. This novel doesn’t break any new ground; it’s a light, cozy mystery with a charismatic female lead and a quirky cast of characters, including a handsome love interest in the background. However, it’s excellent escapist entertainment.
A familiar but action-packed whodunit.Pub Date: Sept. 12, 2018
ISBN: 978-0-9969350-8-1
Page Count: 246
Publisher: Sunnyside Press
Review Posted Online: July 13, 2018
Kirkus Reviews Issue: Aug. 15, 2018
Review Program: Kirkus Indie
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BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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