by Libby Koponen ‧ RELEASE DATE: June 1, 2004
Fried bread, gray rain, drab institutions. There’s a lot to get used to when a spunky American tomboy and her family temporarily relocate to England circa 1950. After experiencing a repressive London school, Libby is grateful to be transferred to a Queen Anne manse on 88 acres of classic British countryside, with horse paddocks and wood-paneled dormitories straight out of the storybooks she reads obsessively. Young and uncertain, Libby soon warms to the place, slowly reining in her unbridled nature before her bittersweet return home. Told from Libby’s POV—through somber narration and vintage sidebar images—the slight story’s coming-of-age elements seem oddly archaic but ring true; they’re based on the author’s own childhood memories. Small daily scenarios are reflected through a rear-view mirror. This surprising emotional distance and less-is-more storytelling underwhelms the senses. The elegant simplicity echoes the prim discipline of classic boarding-school life, and politely nods to “Little Women” with its docile manner and Libby’s secret admiration of Jo, a yet-to-be-discovered writer like herself. Harking back to gentler times, this winsome, nostalgic memoir is as delicate and old-fashioned as a doily on a wingback chair. (Fiction. 8-11)
Pub Date: June 1, 2004
ISBN: 0-316-61443-2
Page Count: 224
Publisher: Megan Tingley/Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
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by Ed Young & Libby Koponen & illustrated by Ed Young
by Julia Alvarez ‧ RELEASE DATE: Jan. 13, 2009
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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by Paul Fleischman & illustrated by Judy Pedersen ‧ RELEASE DATE: May 11, 1997
Using the multiple voices that made Bull Run (1995) so absorbing, Fleischman takes readers to a modern inner-city neighborhood and a different sort of battle, as bit by bit the handful of lima beans an immigrant child plants in an empty lot blossoms into a community garden, tended by a notably diverse group of local residents. It's not an easy victory: Toughened by the experience of putting her children through public school, Leona spends several days relentlessly bulling her way into government offices to get the lot's trash hauled away; others address the lack of readily available water, as well as problems with vandals and midnight dumpers; and though decades of waging peace on a small scale have made Sam an expert diplomat, he's unable to prevent racial and ethnic borders from forming. Still, the garden becomes a place where wounds heal, friendships form, and seeds of change are sown. Readers won't gain any great appreciation for the art and science of gardening from this, but they may come away understanding that people can work side by side despite vastly different motives, attitudes, skills, and cultural backgrounds. It's a worthy idea, accompanied by Pedersen's chapter-heading black-and-white portraits, providing advance information about the participants' races and, here and there, ages. (Fiction. 9-11)
Pub Date: May 11, 1997
ISBN: 0-06-027471-9
Page Count: 69
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
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by Paul Fleischman ; illustrated by Hannah Salyer
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by Paul Fleischman ; illustrated by Melissa Sweet
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