by Libby Koponen ‧ RELEASE DATE: June 1, 2004
Fried bread, gray rain, drab institutions. There’s a lot to get used to when a spunky American tomboy and her family temporarily relocate to England circa 1950. After experiencing a repressive London school, Libby is grateful to be transferred to a Queen Anne manse on 88 acres of classic British countryside, with horse paddocks and wood-paneled dormitories straight out of the storybooks she reads obsessively. Young and uncertain, Libby soon warms to the place, slowly reining in her unbridled nature before her bittersweet return home. Told from Libby’s POV—through somber narration and vintage sidebar images—the slight story’s coming-of-age elements seem oddly archaic but ring true; they’re based on the author’s own childhood memories. Small daily scenarios are reflected through a rear-view mirror. This surprising emotional distance and less-is-more storytelling underwhelms the senses. The elegant simplicity echoes the prim discipline of classic boarding-school life, and politely nods to “Little Women” with its docile manner and Libby’s secret admiration of Jo, a yet-to-be-discovered writer like herself. Harking back to gentler times, this winsome, nostalgic memoir is as delicate and old-fashioned as a doily on a wingback chair. (Fiction. 8-11)
Pub Date: June 1, 2004
ISBN: 0-316-61443-2
Page Count: 224
Publisher: Megan Tingley/Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
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by Ed Young & Libby Koponen & illustrated by Ed Young
by Julia Alvarez ‧ RELEASE DATE: Jan. 13, 2009
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
BOOK REVIEW
by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
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by Rebecca Bond ; illustrated by Rebecca Bond
BOOK REVIEW
by Rebecca Bond ; illustrated by Rebecca Bond
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