by Lida Maxwell ‧ RELEASE DATE: Jan. 28, 2025
An impassioned analysis, at times overly insistent.
The noted environmentalist was inspired by a love affair.
Maxwell, professor of political science and women’s, gender, and sexuality studies, offers a celebration of queer love and a critique of heteronormativity through her examination of the intimate friendship between Carson (1907-1964) and Dorothy Freeman (1898-1978). The two met in 1953, when Carson built a house neighboring that of Freeman and her husband in Southport, Maine; their immediate emotional bond deepened through the years. Maxwell describes the friendship as “queer” because it “drew them out of conventional forms of marriage and family”; furthermore, she asserts repeatedly, the relationship changed Carson, whose writing “became more vibrant, passionate, and urgent after she fell in love,” empowering her to write Silent Spring (1962), her exposé of the deleterious effects of the unregulated use of pesticides and insecticides on human and nonhuman life. As Maxwell sees it, failure by biographers to account for the friendship’s significance in Carson’s writing of that book “reinforces the ideology of what I call ‘straight love.’” The affair, Maxwell argues, shifted Carson’s perspective on nonhuman nature, fueling her desire “to sustain the vibrant multispecies world that helped create their love.” Although Carson had established herself as an acclaimed nature writer before Silent Spring, still Maxwell asks, “Would Carson ever have realized that nature is a source of ‘wonder,’ if she had not met Freeman, and scripted their love, with her, as a source of wonder?” Setting Carson and Freeman’s love in the context of her own queer relationship, Maxwell encourages everyone to “become more attuned to their queer feelings, what those feelings might teach them about themselves,” and “what politics they might want to engage in.” Reading Carson and Freeman’s letters, Maxwell declares, have taught her that “queer love can change the world.”
An impassioned analysis, at times overly insistent.Pub Date: Jan. 28, 2025
ISBN: 9781503640535
Page Count: 176
Publisher: Stanford Univ.
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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PERSPECTIVES
by Omar El Akkad ‧ RELEASE DATE: Feb. 25, 2025
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
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