This substantial collection furthers Bastianich’s tradition of bringing Italian culture to American tables by way of...
Beloved cooking doyenne and successful restaurateur once again teams up with her daughter Tanya to present a cornucopia of regional Italian food.
In Bastianich’s (Lidia Cooks from the Heart of Italy, 2009, etc.) latest cookbook—the companion volume to her forthcoming TV series exploring Italian-American communities—her warm, welcoming demeanor permeates the more than 175 “lovely, lusty” recipes. Using nine categories, covering everything from hot and cold antipasti dishes to Zuppe, Meat, Poultry and Seafood, to a generous selection of nearly two-dozen delectable dessert ideas, Bastianich showcases the heritage she proudly wears on her sleeve. While many of these recipes could be considered basic dinner-table staples, she distinguishes the versions in this volume with regional profiles of the artisans who bring their American restaurants and food stores alive with authentic Italian cuisine. Recipes that feature antipasti from the Bronx, artichokes from Northern California and New England’s Halibut and Boston Cream Cakes are as alluring as the stories and generous photographs that accompany them. There’s even a section on Chicago versus New York–style pizza. A cake-heavy dessert section includes traditional almond paste–based Italian Rainbow Cookies, Spumoni, Tiramisu and an enterprising Blueberry Frangipane Tart. And be sure to read up on how to make your own Limoncello liqueur.
This substantial collection furthers Bastianich’s tradition of bringing Italian culture to American tables by way of mouthwateringly hearty cuisine.Pub Date: Oct. 26, 2011
ISBN: 978-0-307-59567-6
Page Count: 384
Publisher: Knopf
Review Posted Online: Oct. 1, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
