Complex, ambitious, and unafraid to earnestly love—and critique—America and its most dearly held principles.
A girl living in a dystopian future travels through time via water.
Young Laisvė has seen more in her life than most adults. By the time she’s a preteen, she’s watched her mother be killed as her family attempted to flee from Siberia by sea; later, on a boat trip to see the Statue of Liberty (now largely below water), someone snatches her infant brother. Left with just her father, Laisvė must endure what she calls “The Hiding,” living furtively in a small apartment in a ruined New York City and dodging the people-snatching operations known as “the Raids.” One evening, when a Raid team comes knocking, Laisvė must put a tightly planned escape plan into action. But rather than head to a safe house, as she and her father had agreed, Laisvė has a secret. She’s seen her mother underwater, and she’s received instructions to travel to the past through the water, seeking out specific people. For what purpose, Laisvė is not told, but she sets off on a journey that will take her from a disabled sex worker in Victorian-era New York to a teen boy in a detention center with ties to Timothy McVeigh, and from the laborers who built the Statue of Liberty to the daughter of a European war criminal. Yuknavitch, as ever, is a maximalist, but the book wisely uses Laisvė (whose name means freedom in Lithuanian) as a kind of conduit through which many other narratives flow. Ultimately, Yuknavitch is interested in the way the bodies of immigrants, refugees, and marginalized people have been the fodder used to keep the American project going—and her humane love for those same bodies shines out everywhere through the extravagant prose.
Complex, ambitious, and unafraid to earnestly love—and critique—America and its most dearly held principles.Pub Date: June 28, 2022
ISBN: 978-0-525-53490-7
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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