A compelling examination of a simple song’s enormous psychological and political power.
The story of World War II’s accidental megahit, a song surpassingly popular with troops of all stripes.
In their unpretentious retelling, Miller and Leibovitz (Aliya: Three Generations of American-Jewish Immigration to Israel, 2005) feature characters arrayed along the continuum of humanity, from dutiful soldiers, Nazis and Allies alike, to brutal bureaucrats, in particular Reich Culture Chamber head Hans Hinkel. Standing guard duty in Berlin in 1915, poet Hans Leip got the idea for a poem about a lonely soldier. Back in his room, he wrote “Song of a Young Sentry,” combining the names of his landlady’s niece and a girl he’d met at an art gallery to christen the soldier’s lover Lili Marlene. Leip put the poem in a drawer, but 20 years later, he found it, revised it and published it. Enter pianist/composer Norbert Schultze, who discovered the poem, set it to music and sent it to cabaret singer Lale Andersen. She recorded it, but its first broadcast was on the same November 1938 evening as Kristallnacht, so not many minds were on music. Then Karl-Heinz Reintgen, head of Soldier’s Radio Belgrade, found the recording in 1941 and put it into rotation. From that moment, “Song of a Young Sentry” was a phenomenal success with troops, who waited to hear it—and sing along with it—every night. Referred to by soldiers simply as “Lili Marlene,” it was eventually translated into other languages, and people wrote additional lyrics for special occasions. Goebbels despised this sentimental ballad, which he thought weakened the will of Aryan troops, and Nazi leaders did all they could to suppress it, including the attempted rape and confinement of Andersen. British authorities, troubled by the popularity of a song in German with Nazi connotations, took the simpler expedient of arranging an English-language recording. The multiple versions available on the Internet, including Marlene Dietrich’s famous interpretation, attest to the song’s enduring appeal.
A compelling examination of a simple song’s enormous psychological and political power.Pub Date: Nov. 1, 2008
ISBN: 978-0-393-06584-8
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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