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SAY SAY SAY

A tedious first novel that might have been a rich short story.

A millennial adrift learns about life while caring for others.

Anyone who has ever worked in the helping professions knows that these jobs can create strange intimacies. This is potentially fruitful territory, but whether or not this novel works depends very much upon how one feels about its protagonist. Ella is almost 30. After dropping out of her graduate program, she started working as a caregiver. This isn’t her chosen vocation; it’s just what she does to pay rent, buy groceries, and pick up vintage tchotchkes at thrift stores. She lives with a woman named Alix who is her sexual and romantic partner, but Ella doesn’t like to think of herself as part of a couple. When a retired carpenter named Bryn hires Ella to care for his mentally impaired wife, Jill, Ella becomes a part-time member of their household. There isn't a lot of dialogue in this novel, nor is there much in the way of action. What there are, mostly, are third-person descriptions of what’s going on inside Ella’s head as she cares for Jill, gets to know Bryn, and watches the pair interact. Ella has a number of revelations about love and life. Mostly, she thinks about herself. This is true of most people, probably, but it doesn’t make for much of a story unless you find Ella as fascinating as her author does. The most interesting aspect of this novel is the weird relationship between the protagonist and the narrator. Consider this passage: “Ella was ashamed of how her own beauty comforted and seduced her; she visited it like a secret lover, she stroked it softly like a young boy watching television, one hand tucked into his pajama bottoms, fondling his small, flaccid treasure.” This very long sentence contains what is surely one of the most awkward similes in contemporary fiction, but it also shows us an author who is maybe a little bit too in love with her heroine, not to mention a bit too in love with her own voice.

A tedious first novel that might have been a rich short story.

Pub Date: July 11, 2019

ISBN: 978-0-525-65592-3

Page Count: 176

Publisher: Knopf

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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