by Lilian Nattel ‧ RELEASE DATE: Feb. 17, 2004
Beautifully written, strongly imagined, and deeply felt.
Another marvelous tale steeped in Jewish history and culture, from the author of The River Midnight (1999).
The Yiddish theater and the teeming streets of London’s Jewish ghetto in the last quarter of the 19th century form a vibrant backdrop for Nattel’s two strong-minded heroines. Nehama arrives from Poland in 1875 and falls into the clutches of the Squire, who turns the 17-year-old virgin into a prostitute and beats her savagely when she tries to run away. Even after she escapes and marries the goodhearted tailor Nathan, she’s convinced that her seamy past is to blame for her miscarriage. So when Emilia, daughter of an affluent but sadistic Minsk notary, turns up in London in 1886, just as unprotected as Nehama was—and very pregnant as well—the rough-edged East Ender rescues the new arrival from the pimps prowling the docks. Emilia flees, leaving behind her infant daughter to be raised by Nehama and Nathan. Their struggles are contrasted with Emilia’s comfortable life after her brief stint as a fashionable shopgirl attracts the admiration of successful hack writer Jacob Zalkind, whom she allows to believe she’s a gentile. The author paints powerful portraits of two very different women who both hide the truth about their past from their husbands, while also tracing the age-old immigrant conflict between allegiance to ethnic roots and yearnings for the tantalizing freedoms offered in a new society. The ghosts of Nehama’s grandmother and the first wife of Emilia’s hateful father watch over the action; the Toronto-based author deftly folds these magical elements into the essentially realistic storyline. Her prose is just as finely balanced, rich in humor that’s never simply for laughs (Emilia suffers “the ordinary fortune of every woman from the day that Eve was pushed out of her garden and realized that she must find a good address”), and filled with passages of heartbreaking beauty that acknowledge the permanent scars left by tragedy but affirm the healing powers of love and self-knowledge.
Beautifully written, strongly imagined, and deeply felt.Pub Date: Feb. 17, 2004
ISBN: 0-7432-4966-6
Page Count: 336
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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