At the end of The Little Brute Family, the Brutes change their name—and nature—to Nice; bringing 'em back bad poses problems that don't apply to most repeats. . . Sister Brute, wanting something to love, adopts a stone—she draws it a face. dresses it, and atones it Alice Brute Stone; she is adopted by an ugly dog wearing hob-nailed boots who wants someone to love him. But the doll is hard and heavy and the dog keeps kicking and Sister Brute has only tiredness and braises for her love, Mama Brute, confronted with the problem, is stymied until she looks at Alice Brute Stone's face; it is just like hers. "You could love me." she says, "and I will give you soft hugs and sing you lullabies." Each of the family, Sister Brute learns, has a special offering; she will love them all and Alice Brute Stone and the ugly kicking dog too. . . In the perfunctory introduction to the family. Mama and Papa seem typical impatient, preoccupied parents, funny-looking but not loutish enough to be funny to the child who's meeting them for the first time. On the other hand, the youngster who remembers their reform will wonder how come they're so nice before becoming Nice. It's a questionable parallel of the original with some undeniably touching images—Sister Brute fondling Alice Brute Stone; the buck-toothed yellow dog, really a rejected toy, claiming her affection because she pays attention to him; and Mama Brute seeing her own face in the stone.
Pub Date: Feb. 5, 1968
ISBN: 0440406811
Page Count: 32
Publisher: Macmillan
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: Feb. 1, 1968
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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