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UNDEAD GIRL GANG

A well-paced undead romp that would be even more enjoyable without the ties to a specific faith.

When Fairmount Academy is rocked by three apparent suicides in the span of a week, it is up to one young Wiccan to conjure up the truth.

Mila Flores dwells on the fringes of Fairmount society: Mexican-American, overweight, and Wiccan, she does not fit the school’s mold for social climbers. The one saving grace has been her friendship with fellow outcast Riley, the white daughter of local funeral home owners—until Riley is found drowned, the third apparent suicide in a row. Mila is sure that Riley would not have killed herself, and when a mysterious grimoire lands on her doorstep complete with a spell to raise the dead, she is sure she has found her answer. Despite the warnings of white, middle-aged lesbian Toby, the local Wiccan shop owner and her would-be mentor, Mila proceeds with the spell, which inevitably goes wrong. Mila must then confront her own fallibility and poor judgment. Toby serves as a valuable corrective for Mila’s mistaken approach to the Wiccan religion; take the depiction of neo-pagan spellwork here with a healthy dose of protective salt. Superlative pacing and writing that flows well make this title stand out.

A well-paced undead romp that would be even more enjoyable without the ties to a specific faith. (Horror. 13-18)

Pub Date: May 8, 2018

ISBN: 978-0-451-47823-8

Page Count: 320

Publisher: Razorbill/Penguin

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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