Why settle for one rousing adventure when you can have millions?
A storyteller’s toolkit, stocked with choose-your-own characters, gear, locales, hazards, and plotlines.
Following a page of instructions, readers will find labeled arrays of playfully imaginative options. First readers are invited to pick an identity from 16 choices—ranging from a “nature expert” with olive skin and dark hair to a light-skinned “jungle baby” in a leopard skin, a befuddled tourist, a writer using a wheelchair, or a monkey. From there it’s on to choose clothing; a mission (“To find gems and jewels,” or maybe a “Jungle Prince”?); equipment; companions; an itinerary; a “greedy developer,” “evil penguin,” or other foe; the enemy’s dastardly scheme; and more on the way to a pile of money, a pedicure, or some other well-earned reward. Unlike the general run of “choose your own adventure” titles, this one prompts readers to fill in the action themselves (“Describe your daring escape”), and none of the options have fatal consequences—explicitly, at least. Also notable is the racial diversity among human(ish) figures, including hovering groups of fairies and pixies. Like its series mates, this rainforest romp outdoes even the likes of Laurel Snyder’s Endlessly Ever After (2022) in getting fledgling yarn spinners up to speed. (This book was reviewed digitally.)
Why settle for one rousing adventure when you can have millions? (Picture book. 6-10)Pub Date: April 12, 2022
ISBN: 978-0-7112-7610-9
Page Count: 32
Publisher: Wide Eyed Editions
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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