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CAPTIVES

THE STORY OF BRITAIN’S PURSUIT OF EMPIRE AND HOW ITS SOLDIERS AND CIVILIANS WERE HELD CAPTIVE BY THE DREAM OF GLOBAL SUPREMACY

A nuanced complement to the growing library of revisionist histories of empire.

Of empire-building, discovering the Other, and going native: a thoughtful reappraisal of England’s centuries-long process of world conquest.

English literature offers two great, conflicting parables of that process, writes Colley (History/Princeton Univ.; Britons: Forging the Nation, 1707–1837). The first is Defoe’s Robinson Crusoe, whose shipwrecked protagonist “uses force and guile to defeat incomers who are hostile, while firmly organizing those who defer to his authority”; the second is Swift’s Gulliver’s Travels, whose eponymous hero finds himself captured by unimpressed locals who “sell him like a commodity, turn him into a spectacle, and sexually abuse him.” Both parables are useful to keep in mind, Colley writes, in following the fortunes of the British warriors who carved out an overseas empire hundreds of times larger than their homeland and dominated a quarter of the world’s people. Many of them fell captive to the nations they set out to overwhelm, and much of England’s knowledge of those nations came from their accounts of being ransomed or escaping, through books and broadsides such as Joseph Pitts’s True and Faithful Account of the Religion and Manners of the Mohammetans (1704). Colley combs through that library to chart Britons’ evolving view of their would-be subjects, and offers some interesting notes along the way; for instance, while discussing representative texts of the “Indian captivity narrative,” perhaps the earliest literary genre of European America, she volunteers that Britons’ relations with peoples throughout the world were “complex, mutually uncomprehending, but by no means automatically hostile,” a far more useful take than the usual good-versus-bad of postcolonial studies. Indeed, Colley writes, the most successful of the empire’s soldiers had the wisdom to acquire knowledge of the other, court “indigenous tolerance,” and even consent, and otherwise behave in un-Crusoe–like ways as they went about their business—behavior that counted as much as any weapon in coloring so much of the world map scarlet once upon a time.

A nuanced complement to the growing library of revisionist histories of empire.

Pub Date: Jan. 7, 2003

ISBN: 0-375-42152-1

Page Count: 464

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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