Doesn’t pack the fireworks, but that’s not where the story lives—it’s in the day-to-day lives of its well-drawn characters...
Collison’s coming-of-age novel follows three teenagers who leave their homes to try to find themselves and escape less-than-perfect circumstances.
Ramie Redfeather lives with his mother and little brother and longs to find his father, known as Redfeather, a musician who never made it big, though locals recognize him. Trying to catch up with him at a gig in Denver, Ramie hitchhikes from his hometown of Cheyenne, Wyo., and meets Chas Sweeney, a kid from nearby Baltimore whose mother is on life support. In denial about his dysfunctional family back home, Chas stole his grandmother’s Cadillac to drive across the country. In Denver, they meet up with LaRoux, formerly Faith Appleby, who has run away from her strict religious household to perform in a music contest in Austin. All three characters are well-drawn, and though the circumstances that draw them together seem a bit forced, their relationship feels real. They’re three lost kids, geographically and spiritually, yet they’re specific and recognizable types. Ramie is strong, loyal and keeps to himself. Chas is smart and a bit irritating but boundlessly enthusiastic, and despite his confusion about what to do with his life, he has a good heart. LaRoux is beautiful and talented but flighty. Much to the author’s credit, all of them are believably flawed. At times, though, the narrative gets muddled when the three kids’ stories drift into navel-gazing and away from the plot, but Collison’s prose is nonetheless clean and efficient. The resolutions of Ramie’s and LaRoux’s quests are fairly predictable but still well-laid, though Chas’s story turns out to be the more intriguing one, especially in the end.
Doesn’t pack the fireworks, but that’s not where the story lives—it’s in the day-to-day lives of its well-drawn characters and their crises.Pub Date: Oct. 8, 2013
ISBN: 978-0989365307
Page Count: 228
Publisher: Fiction House
Review Posted Online: Dec. 17, 2013
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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