Appreciative (and properly so), but superficial and dated.
A worshipful profile of Ukraine’s staunch leader.
Joining a flurry of recent biographies of the comedian-turned-president, this paean is light on specific detail and sometimes bends what facts it does offer to present its subject in the brightest of heroic lights—for instance, substituting the ambiguous “supplies” for weapons in a tally of foreign aid that poured into Ukraine after the Russian invasion to create the impression that said aid was entirely humanitarian. The author begins by presenting Volodymyr (without any cited evidence) as a child who “hated lies,” then takes him from early years growing up in a land historically hostile to its Jewish residents to success as a performer. Next, after deciding to emulate a character in one of his own shows who was elected president and run “for real,” he finds himself at the head of a country facing invasion by a much larger one, “like David fighting the giant, Goliath,” and becoming a defender of freedom. Except for images of the Ukrainian flag and a few random colorful highlights, Oliyko’s sketched illustrations run to drab grayscale crowds of small faces and figures. The story and even the timeline at the end cut off in February of 2022, so the content is already significantly out of date. (This book was reviewed digitally.)
Appreciative (and properly so), but superficial and dated. (author’s note, bibliography) (Picture-book biography. 6-9)Pub Date: Oct. 3, 2023
ISBN: 978-0063294141
Page Count: 32
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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