by Linda Gordon ‧ RELEASE DATE: Oct. 19, 2009
A rigorously constructed, entertaining biography.
Riveting portrait of one of America’s most renowned photographers.
In addition to providing insight into Dorothea Lange’s private life (1895–1965) and professional development, Gordon (History/New York Univ.; The Great Arizona Orphan Abduction, 1999, etc.) explores the wider context in which she lived and worked. The author’s careful scholarship reveals the connection between Lange’s work and the sociopolitical environment surrounding her, while still portraying her as a normal, flawed human being. Lange is famous for her Depression-era photographs of breadlines and migrant farm workers, yet her career also spanned two World Wars, the rise of fascism and communism, the beginnings of feminism and the civil-rights movement. A successful portrait photographer in San Francisco for more than a decade, Lange left behind her thriving business in the mid-1930s to pursue documentary photography in pursuit of social justice. Because Lange kept no personal papers or diaries prior to 1935, however, Gordon makes several educated guesses about events during this largely undocumented period; the author’s periodic interjections alert readers to the differences between known fact and authorial supposition. Gordon deftly leads readers through the labyrinth of Lange’s life—her apprenticeships with Arnold Genthe and Clarence White, her marriage to painter Maynard Dixon, her work with the Farm Security Administration during the Depression—providing a personal, intimate tour of the photographer’s life and work. Though largely sympathetic, Gordon doesn’t shy away from depicting Lange’s sometimes questionable decisions regarding her personal life.
A rigorously constructed, entertaining biography.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-05730-0
Page Count: 624
Publisher: Norton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2009
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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