THE STORY OF THE FOREST

In this offbeat historical epic, a prosperous Jewish family from Latvia reinvents itself when it’s divided by 20th-century realities and differing dreams of success.

The catalyst for the Mendel family’s uprooting is an encounter 14-year-old Mina has in the woods, where she goes to gather mushrooms. In fairy tale–like fashion, she encounters instant danger in the form of a group of Bolshevik boys whose cocky presence excites her. After her older brother Jossel learns that she kissed one of them, he whisks her away from Riga, leaving the rest of their family behind, to keep their father from forcing Mina into an arranged marriage. Jossel and Mina hope to go to America, but after World War I thwarts those plans, they settle in a mostly friendly Jewish community in Liverpool, by which time Jossel has been roped into marriage by a woman he met on the ship that took them there. Soon enough, Jossel leaves his wife for another woman, and lonely Mina impetuously marries a bland fellow whose life her brother saved while off fighting the war. We then follow Mina’s daughter, Paula, as she attempts to hide her Jewish identity, act like a privileged Brit, and lose her virginity. Only belatedly, we learn what became of Mina and Jossel’s bad-sheep brother, Itzik, who embraced the USSR in his quest for power, and their ill-fated parents. Shifting styles to reflect shifting times, Grant flirts with soap opera and R-rated noir. Acting as a leitmotif, the story of Mina’s adventures in the forest gets passed down as oral history, ultimately becoming a movie. Those looking for romance in this saga, or much in the way of reflection as the nonstop narrative motors on, will be disappointed. But the undercurrent of menace and refusal to indulge in sentimentality should appeal to readers looking for something different.

A novel that makes up for its lack of depth with sharp storytelling.