GUILTY KNOWLEDGE

A black police detective investigating a murder finds himself drawn to a white woman who claims to have psychic visions of the killer.

In time-honored, crime novel tradition, Detective Jesse Aaron gets his world rocked when a beautiful woman enters his office with information about a “nasty case with no easy answers.” The murder victim is Rosa Logan. Sariah Brennan states she knows who the killer is. “I don’t know his full name, but he’s called Casey,” she informs Aaron. “A big dark man with a scar on his neck.” When Aaron asks her whether she was an eyewitness to the crime, she responds: “I saw him…in my head, like in a vision.” The incredulous Aaron is surprised when parts of Brennan’s story check out, including key information that had been withheld from the media. Complicating matters is that the suspect, Kazimir Capek, or K.C., has reportedly been dead for three years. Brennan not only sticks to her story, she also insists to Aaron and his black female partner, Camille Farris, that the killer is still alive and another woman, named Elisabeth, is in danger. Aaron doesn’t know what to make of Brennan. Farris is openly hostile, bad cop to his good cop (“If you’re through wasting our time, we have work to do”). But Aaron cannot convince himself he is just intrigued by the mystery. He wonders whether something is happening between him and Brennan: “When she asked him to call her Sariah, did she guess how easily he already thought of her that way?” Griffin has a gift for romantic suspense. Aaron and Brennan’s budding relationship, which is complicated by her secrets, builds deliberately and credibly and elicits as much interest as the resolution of the murder case. The issue of race adds an intriguing wrinkle to old school murder mystery tropes, although this could have been developed further. When Brennan remarks that she isn’t used to being alone with someone she doesn’t know, Aaron wonders if “someone” maybe means a black man. And Farris’ tirades include her objection to “brothers who try to score points by getting a white chick.” She tells Aaron: “It shouldn’t be so hard to stick to your own kind.”

An involving mystery elevated by vivid characterizations.