An unconvincing mystery and love story despite some engaging conversation.
A new guy in town gets tangled up in a murder plot in this contemporary romance.
On Reid Lucas’ first day in a new town, police arrest him for driving under the influence. He uses his phone call to contact a woman he knows named Jane, but instead, he gets her roommate, Alyssa. He talks her into bailing him out, and to make it up to her, he cooks dinner for her, revealing that he’s moved to town for a software engineering job. Alyssa is a cop in the process of getting her marriage annulled. Their relationship might have ended there if not for a shooting at Reid’s new office; Reid is a suspect, but Alyssa is his alibi. They strike up a friendship, and Reid helps Alyssa with an altercation with her soon-to-be ex-husband; she’s grateful for his help, and they later sleep together. A vague possibility that someone wants to kill Reid, but killed his boss by mistake, hangs over the proceedings. When Reid loses his job, he must decide whether to stay in town or move back to Chicago. Alyssa is starchy and judgmental, and although overcoming trust issues is a common romance trope, Alyssa comes off as unsympathetic at times because she’s so humorless. She’s also religious, which makes it curious that she’d be so attracted to Reid, who seems to think marriage vows are merely suggestions. The pair just don’t seem to have much in common, so the story’s conclusion feels forced. Meanwhile, the story’s detectives are almost comically bad at their jobs, jumping to unfounded conclusions about Reid that keep getting him in trouble. Ultimately, the murder plot takes a back seat to the romance and, indeed, is finally solved off-page. The prose is smoothly written, with bits of snappy dialogue, as when Jane asks Reid if chopping onions makes him cry: “ ‘Not if you know the trick,’ he said. ‘Is it a secret?’ ‘Oh, I have lots of secrets,’ he assured her.”However, the plot is messy and illogical and doesn’t entirely hang together.
An unconvincing mystery and love story despite some engaging conversation.Pub Date: Aug. 16, 2021
ISBN: 978-1-5092-3777-7
Page Count: 264
Publisher: Wild Rose Press
Review Posted Online: Aug. 20, 2021
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A wallowing, emotionally wrenching family drama that leaves little time for romance.
Two people with bad luck in relationships find each other through a popular Reddit thread.
Emma Grant and her best friend, Maddy, are travel nurses, working at hospitals for three-month stints while they see the country. Just a few weeks before they’re set to move to Hawaii, Emma reads a popular “Am I the Asshole” Reddit thread from a Minnesota man who thinks he’s cursed—women he dates find their soulmates after breaking up with him, and the latest one found true love with his best friend! Emma has had a similar experience, which inspires her to DM the man and commiserate. She’s delighted by her witty, lively interactions with software engineer Justin Dahl, and is intrigued when he suggests that if they date each other, maybe they’ll each find their soulmate afterward. Emma upends the Hawaii plan and convinces Maddy to move to Minneapolis for the summer so she can meet Justin in person. The overly complex setup brings Emma and Justin together and the two hit it off, with Justin immediately falling head over heels for Emma. Jimenez then pivots to creating romantic roadblocks and melodramatic subplots centering on each character’s family of origin. Justin’s mother is about to serve six years in prison for embezzlement, which means Justin must move back home to care for his three much younger siblings. Emma was traumatized by her own mother for much of her childhood, left to fend for herself and eventually abandoned in the foster system. When her mother shows up in Minnesota, Emma must face her traumatic childhood and admit that she has prioritized her mother’s well-being over her own. There is little time devoted to Emma’s painful efforts to heal herself enough to accept Justin’s love, which leaves the novel feeling unsatisfying.
A wallowing, emotionally wrenching family drama that leaves little time for romance.Pub Date: April 2, 2024
ISBN: 9781538704431
Page Count: 432
Publisher: Forever
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 15, 2024
SEEN & HEARD
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