An uneven set of stories that’s sometimes entertaining and other times troubling.
Griffin offers a collection of four novellas, each featuring a couple that must overcome personal obstacles to make way for love.
The first story, “No Regrets,” opens with a literal bang—Darien Francis, a small-business owner, finds herself in the middle of a bank robbery alongside security guard Richard Li. Afterward, she quickly falls for his easygoing and accommodating nature but finds herself held back by memories of her late lover and the brutality she experienced during the robbery. In the second story, “Probation,” Shane Kenniston, a former youth orchestra teacher, was accused of sexual assault by a 15-year-old girl, resulting in the loss of his job and the destruction of his social life; things become more complicated when he begins dating his former student’s sister, Beth, without initially realizing who she is. Following this is “The Shape of Life,” about a man named David and a single mother named Kate, whose life revolves around caring for her daughter with muscular dystrophy. The final story, “House Hunters,” concerns a group of friends: Frank, a real estate agent estranged from his young daughter; Gia and Andrea, financially successful newlyweds; and Kayla, a woman who believes all men are “useless.” These novellas often offer fun romantic plots with happy endings. However, they sometimes delve too deeply into issues that seem beyond the scope of brief stories. For example, some discussions of race between Darien, a White woman, and Richard, an East Asian man, come across as strained and excessive, as when he earnestly tells her, “I’ll show you how I go about dating Caucasian girls.” However, the storyline between Shane and Beth is the most problematic, presenting a 30-year-old teacher who slept with a teenage girl as sympathetic, while vilifying the girl he slept with. The series’ third-person narration occasionally offers patronizing or objectifying internal monologues, with little attempt to critique such mentalities: “What was it with women, that they thought you shared some kind of relationship the minute things got physical?”
An uneven set of stories that’s sometimes entertaining and other times troubling.Pub Date: April 24, 2023
ISBN: 9781509248827
Page Count: 226
Publisher: Wild Rose Press
Review Posted Online: Feb. 23, 2023
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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