An uneven set of stories that’s sometimes entertaining and other times troubling.
Griffin offers a collection of four novellas, each featuring a couple that must overcome personal obstacles to make way for love.
The first story, “No Regrets,” opens with a literal bang—Darien Francis, a small-business owner, finds herself in the middle of a bank robbery alongside security guard Richard Li. Afterward, she quickly falls for his easygoing and accommodating nature but finds herself held back by memories of her late lover and the brutality she experienced during the robbery. In the second story, “Probation,” Shane Kenniston, a former youth orchestra teacher, was accused of sexual assault by a 15-year-old girl, resulting in the loss of his job and the destruction of his social life; things become more complicated when he begins dating his former student’s sister, Beth, without initially realizing who she is. Following this is “The Shape of Life,” about a man named David and a single mother named Kate, whose life revolves around caring for her daughter with muscular dystrophy. The final story, “House Hunters,” concerns a group of friends: Frank, a real estate agent estranged from his young daughter; Gia and Andrea, financially successful newlyweds; and Kayla, a woman who believes all men are “useless.” These novellas often offer fun romantic plots with happy endings. However, they sometimes delve too deeply into issues that seem beyond the scope of brief stories. For example, some discussions of race between Darien, a White woman, and Richard, an East Asian man, come across as strained and excessive, as when he earnestly tells her, “I’ll show you how I go about dating Caucasian girls.” However, the storyline between Shane and Beth is the most problematic, presenting a 30-year-old teacher who slept with a teenage girl as sympathetic, while vilifying the girl he slept with. The series’ third-person narration occasionally offers patronizing or objectifying internal monologues, with little attempt to critique such mentalities: “What was it with women, that they thought you shared some kind of relationship the minute things got physical?”
An uneven set of stories that’s sometimes entertaining and other times troubling.Pub Date: April 24, 2023
ISBN: 9781509248827
Page Count: 226
Publisher: Wild Rose Press
Review Posted Online: Feb. 23, 2023
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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