by Linda Hogan ‧ RELEASE DATE: Aug. 14, 1995
Seventeen often accusatory essays on man's relationship with nature by Native American poet and novelist Hogan (Mean Spirit, 1990, etc.). Hogan tells stories about the beauty of an eagle feather, a wolf's fur, and copulating bats; about the creation myths of the Maya, the innate understanding of animals, the femaleness of caves. She stresses the need to respect the natural world, citing models from ancient folkloric sources to modern science. In Nobel Prizewinning biologist Barbara McClintock, for example, Hogan finds an ideal melding of tradition and science; she claims that McClintock's method was ``to listen to what corn had to say, to translate what the plants spoke into a human tongue.'' Regarding scientists who do not care for their subjects, however, Hogan has harsh words, as she does for many and varied aspects of Western culture. Bubbling up from the midst of her reflections is an undisguised and virulent angeran understandable one, given the way American Indians have been mistreated by non-Natives and the way their environment and lifestyle were destroyed by a culture that valued the earth differently. Still, Hogan occasionally pushes the reader too far with her one-sided view, blaming Western ideas for everything that is evil, as when she writes that ``the Western belief that God lives apart from earth is one that has taken us toward collective destruction.'' And many readers will not sympathize with Hogan's mystical bent; even those who respect her cultural heritage will have trouble accepting the story that she found her granddaughter's missing umbilical cord, which Hogan had been saving according to tradition, with the aid of a holy man and an eagle feather in a place Hogan had checked innumerable times before. Some fine insights obscured by the large chip on the author's shoulder.
Pub Date: Aug. 14, 1995
ISBN: 0-393-03784-3
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
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by Linda Hogan
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by Linda Hogan
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edited by Linda Hogan & Brenda Peterson
by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
by Patrik Svensson translated by Agnes Broomé ‧ RELEASE DATE: May 5, 2020
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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