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WORK AND MORE WORK

Name: WORK AND MORE WORK
Author: Linda Little
ISBN: 978-1-55498-383-4

by Linda Little ; illustrated by Óscar T. Pérez ‧ RELEASE DATE: March 17, 2015

Stylized and idealized but with some potential as a discussion starter.

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A young traveler discovers a world of wonders hidden in a seemingly ordinary word.

Though assured by his industrious parents that there is nothing beyond their rural cottage but “work and more work,” Tom sets out to see for himself. Odd jobs eventually lead him to sail off to encounter tea in China, indigo in a busy Indian marketplace and cinnamon in tropical Ceylon. Years later he returns to tell his parents that all over the world “people are busy making beautiful things.” “I told you so,” responds his mother. “Wherever you go—just work and more work.” The narrative is a bare recitation of events, but in her afterword, Little explains that she visualizes Tom as starting out near Liverpool around 1840, then goes on to describe in some detail his parents’ occupations and how tea, indigo and cinnamon were harvested and prepared for export at that time. Showing technical dazzle but a fussy sensibility, Pérez renders foliage, architectural features and period dress in precise, superfine detail but gives human figures oversized heads, studied gestures, and tiny hands and feet. Moreover, though Tom is supposedly gone long enough to become “a young man and quite different from the boy who had left,” in the illustrations he ages not at all, greeting his parents wearing the same clothes he set out in.

Stylized and idealized but with some potential as a discussion starter. (Picture book. 7-9)

Pub Date: March 17, 2015

ISBN: 978-1-55498-383-4

Page Count: 32

Publisher: Groundwood

Review Posted Online: Jan. 9, 2015

Kirkus Reviews Issue: Jan. 15, 2015

Categories:

CHILDREN'S HISTORICAL FICTION | CHILDREN'S SCIENCE & TECHNOLOGY

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ADA LACE, ON THE CASE

From the Ada Lace series , Vol. 1

by Emily Calandrelli & Tamson Weston ; illustrated by Renée Kurilla ‧ RELEASE DATE: Aug. 29, 2017

The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the...

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Using science and technology, third-grader Ada Lace kicks off her new series by solving a mystery even with her leg in a cast.

Temporarily housebound after a badly executed bungee jump, Ada uses binoculars to document the ecosystem of her new neighborhood in San Francisco. She records her observations in a field journal, a project that intrigues new friend Nina, who lives nearby. When they see that Ms. Reed’s dog, Marguerite, is missing, they leap to the conclusion that it has been stolen. Nina does the legwork and Ada provides the technology for their search for the dognapper. Story-crafting takes a back seat to scene-setting in this series kickoff that introduces the major players. As part of the series formula, science topics and gadgetry are integrated into the stories and further explained in a “Behind the Science” afterword. This installment incorporates drones, a wireless camera, gecko gloves, and the Turing test as well as the concept of an ecosystem. There are no ethnic indicators in the text, but the illustrations reveal that Ada, her family, and bratty neighbor Milton are white; Nina appears to be Southeast Asian; and Mr. Peebles, an inventor who lives nearby, is black.

The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the chapter-book world. (Fiction. 7-9)

Pub Date: Aug. 29, 2017

ISBN: 978-1-4814-8599-9

Page Count: 128

Publisher: Simon & Schuster

Review Posted Online: May 23, 2017

Kirkus Reviews Issue: June 15, 2017

Categories:

CHILDREN'S SCIENCE & TECHNOLOGY | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ADA LACE SEES RED
by Emily Calandrelli with Tamson Weston ; illustrated by Renée Kurilla

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THE ULTIMATE BOOK OF SPACE

by Anne-Sophie Baumann ; illustrated by Olivier Latyk ; translated by Robb Booker ‧ RELEASE DATE: Sept. 1, 2016

A launch-pad fizzle.

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Flaps and pull-tabs in assorted astro-scenes reveal several wonders of the universe as well as inside glimpses of observatories, rockets, a space suit, and the International Space Station.

Interactive features include a spinnable Milky Way, pop-up launches of Ariane and Soyuz rockets, a solar-system tour, visits to the surfaces of the moon and Mars, and cutaway views beneath long, thin flaps of an international array of launch vehicles. Despite these bells and whistles, this import is far from ready for liftoff. Not only has Antarctica somehow gone missing from the pop-up globe, but Baumann’s commentary (at least in Booker’s translation from the French original) shows more enthusiasm than strict attention to accuracy. Both Mercury and Venus are designated “hottest planet” (right answer: Venus); claims that there is no gravity in space and that black holes are a type of star are at best simplistic; and “we do not know what [other galaxies] actually look like” is nonsensical. Moreover, in a clumsy attempt to diversify the cast on a spread about astronaut training, Latyk gives an (evidently) Asian figure caricatured slit eyes and yellow skin.

A launch-pad fizzle. (Informational pop-up picture book. 7-9)