A rock explores existential questions and is the wiser for its efforts.
It’s the Jon Klassen eyes that pull viewers in: black pupils on gray/green irises atop white ovals. With just a hint of movement, they express exactly what the gray, speckled half-orb is feeling. Adults may hear a Paul Simon refrain after the first line—“I am a rock”—while emerging readers will appreciate the smooth rhymes and simple language that nevertheless convey deep thoughts. When a brochure advertising “The World’s Most Beautiful Gem” blows by, the protagonist joins throngs of other stones headed to the Museum of Rocks. Liu’s watercolor and digital compositions include softly textured landscapes with rounded green hills showcasing the domed edifice. The effect of the gorgeous, multicolored gems (also with eyes) on the main character is palpable: “These rocks shock and glow and humble.” The rock wonders how it can be special, too, and imagines following the same rocky journeys as the others or molding itself to be like Michelangelo’s David or various famous paintings whose faces have been replaced with rocks. But seeing its reflection in a dazzling diamond helps the rock grasp its own beauty—and the worth of those around it. While there are many recent children’s books that celebrate identity, make room for this one, which blends subtle humor and superb design for a profound, deftly conveyed message. (This book was reviewed digitally.)
The levity lightens the mood; the art is breathtaking.
(Picture book. 3-7)