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PABLO PICASSO

paper 1-57505-370-5 In this valuable addition to the On My Own Biography series of easy readers, Lowery (Georgia O’Keeffe, 1996, etc.) renders an intriguing and lucid portrait of the man often referred to as the most celebrated artist of the 20th century. The book begins with young Picasso puzzling over math equations. Finding math difficult, he came up with an inventive alternative, swirling and bending numbers on the page until they became fanciful creations. As a boy, Picasso was often sent to a “cell” as punishment for his lack of academic focus, but there he found the long hours nothing but pleasant, doing just what he loved best, “drawing, drawing, drawing.” This book takes readers on a journey through the highlights of Picasso’s life, visiting his Blue Period, his Rose Period and lingering over cubism. Lowery also makes clear Picasso’s mercurial and tempestuous nature, describing his swings from flamboyant rage to ecstatic joy. She aptly demonstrates how Picasso’s art became an expression of his character and his character an extension of his art. In pleasing textures of oil on canvas and warm hues, Porter’s accompanying illustrations quite nicely echo the art of its subject. (photos, chronology) (Biography. 8-11)

Pub Date: Nov. 30, 1999

ISBN: 1-57505-331-4

Page Count: 44

Publisher: Carolrhoda

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1999

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IF A BUS COULD TALK

THE STORY OF ROSA PARKS

Ringgold’s biography of Rosa Parks packs substantial material into a few pages, but with a light touch, and with the ring of authenticity that gives her act of weary resistance all the respect it deserves. Narrating the book is the bus that Parks took that morning 45 years ago; it recounts the signal events in Parks’s life to a young girl who boarded it to go to school. A decent amount of the material will probably be new to children, for Parks is so intimately associated with the Montgomery Bus Boycott that her work with the NAACP before the bus incident is often overlooked, as is her later role as a community activist in Detroit with Congressman John Conyers. Ringgold, through the bus, also informs readers of Parks’s youth in rural Alabama, where Klansmen and nightriders struck fear into the lives of African-Americans. These experiences make her refusal to release her seat all the more courageous, for the consequences of resistance were not gentle. All the events are depicted in emotive naive artwork that underscores their truth; Ringgold delivers Parks’s story without hyperbole, but rather as a life lived with pride, conviction, and consequence. (Picture book/biography. 5-9)

Pub Date: Nov. 1, 1999

ISBN: 0-689-81892-0

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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ROBERT FULTON

FROM SUBMARINE TO STEAMBOAT

From Kroll (Lewis and Clark, 1994, etc.), a handsomely illustrated biography that introduces a fascinating historical figure and will make readers yearn for more information. The facts are covered, including Fulton’s stints as sign painter, air-gun inventor, and apprentice jeweler; Kroll states clearly which details cannot be pinned down, and the probable order of events and incidents. The text is informative and lively, although in places the transitions are abrupt, e.g., one of the only references to Fulton’s personal life—“Meanwhile, on January 7, 1808, Fulton had married Harriet Livingston. She bore him four children”—quickly reverts to details on the building of boats. Warm gold-toned paintings convey a sense of times past and complement the text. Especially appealing are the depictions of the steamships. A welcome volume. (chronology) (Picture book/biography. 6-10)

Pub Date: March 15, 1999

ISBN: 0-8234-1433-7

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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