An eclectic assortment of writings from a longtime participant in America’s protest movements.
Wagner gathers writings from 50 years of activism in this collection of prose and poetry.
While activism that addresses social justice and climate change has helped define our current moment, the practice is hardly new; many people, including the author, have been agitating for policy changes in these areas for decades. With this volume, Wagner collects her writings from a half-century of fighting the good fight, from her high school graduation speech (given in 1970) to reflections written in the aftermath of 2020’s Black Lives Matter protests. Over that time, the “revolution” she was espousing meant many things, including an end to the Vietnam War, equal rights for Black Americans, reproductive rights for women, an end to pollution, and the legalization of marijuana. “The Revolution is not a particular person at all,” writes the author in her prologue. “It is the ever-changing activity of making our voices heard and taking political steps to ensure that those voices acquire the power needed for fundamental change toward a better world.” Wagner details the late-1960s / early-1970s milieu in which she came to political consciousness, a time when so much rebellion was in the air that even a girl like her—raised in a conservative Catholic family on a military base in upstate New York—began to question the status quo. College essays, poems, diary entries, and letters to the editor sit beside retrospective reflections on how the upheavals of the times shaped the author’s life—and how she attempted to shape the times. Together, they chart the evolution of an activist who matures and changes alongside her revolution.
Wagner’s writing is lively and emotive, no matter the genre—her passion and frustration are always apparent on the page. Perhaps the book’s most interesting aspect is how evergreen many of her concerns are. At one point, Wagner vents in her journal, “My despair and dread are over the political climate. The realization that fascism is surrounding me, while I am not able to accept or really see it, because I must live every day…When I must tell people that, believe it or not, this is what is happening. This veneer that ‘all is well’ is frail, thin, easily chipped away” (the event she’s reacting to: President Ronald Reagan’s reelection in 1984). The poems are mostly of the personal variety, offering glimpses of the author’s excitement and longing related to her romantic life and, later, parenthood. Often, politics still find their way in, as in “May 1986: A Reporter’s Notes”: “The head of emergency planning / For Com Ed’s nuclear plants / Must leave by noon for a CAT scan / His thin torso, fragile hair, sallow skin / And raspy voice give testimony / To the treatments / Fifteen years with the company / Expert in environmental sampling / Exposed to radiation?” While many of these writings can feel dated or insubstantial—unfinished or dashed-off works from particular moments in history—as a whole, they paint an evocative portrait of a life lived in opposition to the status quo.
An eclectic assortment of writings from a longtime participant in America’s protest movements.Pub Date: April 22, 2024
ISBN: N/A
Page Count: 298
Publisher: Buried Gems
Review Posted Online: Feb. 28, 2024
Review Program: Kirkus Indie
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
