An eclectic assortment of writings from a longtime participant in America’s protest movements.
Wagner gathers writings from 50 years of activism in this collection of prose and poetry.
While activism that addresses social justice and climate change has helped define our current moment, the practice is hardly new; many people, including the author, have been agitating for policy changes in these areas for decades. With this volume, Wagner collects her writings from a half-century of fighting the good fight, from her high school graduation speech (given in 1970) to reflections written in the aftermath of 2020’s Black Lives Matter protests. Over that time, the “revolution” she was espousing meant many things, including an end to the Vietnam War, equal rights for Black Americans, reproductive rights for women, an end to pollution, and the legalization of marijuana. “The Revolution is not a particular person at all,” writes the author in her prologue. “It is the ever-changing activity of making our voices heard and taking political steps to ensure that those voices acquire the power needed for fundamental change toward a better world.” Wagner details the late-1960s / early-1970s milieu in which she came to political consciousness, a time when so much rebellion was in the air that even a girl like her—raised in a conservative Catholic family on a military base in upstate New York—began to question the status quo. College essays, poems, diary entries, and letters to the editor sit beside retrospective reflections on how the upheavals of the times shaped the author’s life—and how she attempted to shape the times. Together, they chart the evolution of an activist who matures and changes alongside her revolution.
Wagner’s writing is lively and emotive, no matter the genre—her passion and frustration are always apparent on the page. Perhaps the book’s most interesting aspect is how evergreen many of her concerns are. At one point, Wagner vents in her journal, “My despair and dread are over the political climate. The realization that fascism is surrounding me, while I am not able to accept or really see it, because I must live every day…When I must tell people that, believe it or not, this is what is happening. This veneer that ‘all is well’ is frail, thin, easily chipped away” (the event she’s reacting to: President Ronald Reagan’s reelection in 1984). The poems are mostly of the personal variety, offering glimpses of the author’s excitement and longing related to her romantic life and, later, parenthood. Often, politics still find their way in, as in “May 1986: A Reporter’s Notes”: “The head of emergency planning / For Com Ed’s nuclear plants / Must leave by noon for a CAT scan / His thin torso, fragile hair, sallow skin / And raspy voice give testimony / To the treatments / Fifteen years with the company / Expert in environmental sampling / Exposed to radiation?” While many of these writings can feel dated or insubstantial—unfinished or dashed-off works from particular moments in history—as a whole, they paint an evocative portrait of a life lived in opposition to the status quo.
An eclectic assortment of writings from a longtime participant in America’s protest movements.Pub Date: April 22, 2024
ISBN: N/A
Page Count: 298
Publisher: Buried Gems
Review Posted Online: Feb. 28, 2024
Review Program: Kirkus Indie
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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