by Linda Moore ‧ RELEASE DATE: May 14, 2024
A beguiling adventure involving valuable paintings and international conspiracy.
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A gallery owner finds herself in over her head in Moore’s fast-paced novel of the early-1990s art world.
Ally Blake, a widowed mother of two and owner of a financially strapped art gallery in San Diego, risks everything to exhibit at a Bogotá art fair and hopefully make it big. Specializing in Latin American art, she’s joined by Uruguayan artist Mateo Lugano, who’s also hoping to get his big break at the fair. After struggling to get her crates full of valuable art—on which her livelihood depends—free from customs, Ally notices additional paintings have been added to her collection. To her astonishment, the two mystery paintings are by Ponce Goméz, one of the most recognizable painters in the world, whose pieces go for millions. It’s revealed that David Martinez, an ex-boyfriend of Ally’s working in the U.S. State Department, is in Bogotá, conveniently at the same time that she discovers the Gomézes. After some prodding, David reveals that the American government has involved her in an off-the-books operation whose details are revealed later. Another shocking twist, which increases the tension of the already high-stakes narrative, involves none other than the notorious drug trafficker Pablo Escobar. Moore’s previous book, Attribution (2022), also involved stolen art, but this book presents a detailed, behind-the-scenes look at those who deal in paintings of a different era, while also offering all the elements of a nail-biting thriller. The author drives the narrative with the fact that Ally ultimately has no desire to add fuel to revolutionary fire in yet another South American country. It results in a pulse-pounding game of cat-and-mouse as she tries to avoid operatives of the U.S. government and the deadly cartel, as well as seedy art dealers trying to get their hands on the paintings.
A beguiling adventure involving valuable paintings and international conspiracy.Pub Date: May 14, 2024
ISBN: 9781647426125
Page Count: 304
Publisher: She Writes Press
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: March 1, 2024
Review Program: Kirkus Indie
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by Linda Moore
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Kathy Reichs
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by Kathy Reichs
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by Kathy Reichs
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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