Eye-catching and inspiring.
In Newbery Medalist Park’s latest, a child explores the community through the eyes of others.
Eye imagery is ever-present in this book, starting with the opening pages. The protagonist, who presents East Asian, awakens; surrounded by vibrant yellow sheets that resemble an eyelid, the child’s face looks like a pupil. Downstairs, the youngster notices family members’ eyes: “Smiling eyes / bright eyes / twinkling eyes—wink!” At school, the child’s diverse classmates smile with their own “shining eyes,” “wide eyes,” and “surprised eyes—blink!” The protagonist observes the other children’s eye colors: “Brown eyes / green eyes / hazel or blue / You can see me / and I can see you!” Scenes of a charming neighborhood are warmly textured with blots and lines of bright colors that bring movement and depth to each page. The tale gently transitions to a neighborhood street as Park muses further on eyes. Characters pick out glasses; others read stories (some via braille). They also use their eyes to express—and notice—emotions. As the child eventually falls asleep, Wen leaves us with the image of constellations in the sky forming the shape of an eye. Paired with warm and whimsical portrayals of an inclusive, supportive community, the verse is simple and jaunty yet potent, encouraging young readers to consider this sense from various angles.
Eye-catching and inspiring. (Picture book. 4-8)Pub Date: yesterday
ISBN: 9780358663928
Page Count: 32
Publisher: Allida/HarperCollins
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
