BECOMING DARKNESS

Dark secrets abound in the last human enclave two generations after the Nazis created vampirism and took over the world.

Sophie lives in Haven, the Pacific island nation where humanity retreated after the truce with the undead Third Reich (if there were prior residents, they're invisible in mostly occidental Haven). Sophie adores her secret vampire boyfriend, Val, to whom she smells "intoxicating." Val hides secrets of his own: as a human, he was engaged to Sophie's grandmother; later, he had a fling with Sophie's mother. More important than Val's incestuous affections is his knowledge of who is murdering everyone Sophie loves. He won't tell her, so Sophie's willing to investigate even into the Third Reich, if she must. Bramble’s New York—Gestapo-controlled, vampire-overrun—shows no sign of the evils to be expected of even a human Führer, aside from one appallingly unconcerned mention that nearly all Jews have been murdered. This book’s moral compass is seriously skewed. As Sophie adventures with cinematic intensity, she knows she's unlike the prejudiced Havenites, for she comprehends morality in shades of gray. Why, this sophisticated miss understands that human misdeeds in the fight for survival against total annihilation are comparable to the horrors of Auschwitz, an equation drawn with a straight narrative face.

A world ruled by Hitler ought to evoke at least a smidgen of horror, but this overstuffed slog overwhelms the horrifyingly real vileness of Nazism with vampiric banalities.