Along with creating a fully realized, realistic heroine seen across decades, Hatton is a writer of often exceptional prose,...
Margot Fiske is seen at ages 15 and 73 as she variously pursues and recalls her relationship with marine biologist Ed Ricketts and relates how she came to run an aquarium.
The 15-year-old Margot and her entrepreneurial father have been bouncing around the world as this debut novel opens with their arrival in Monterey, California, in 1940. When she falls and gashes her head while working with Ed, he carries her to his lab, stitches her wound, and introduces her to sex, believing her claim to be 20. After the truth emerges and Ed grows distant, Margot carries a torch even as she comes to know the scientist’s libidinous, hard-drinking side and his cantankerous friend John Steinbeck. There was a marine biologist named Ed Ricketts who in the 1930s worked in the Monterey Bay area where Steinbeck set Cannery Row and who is the basis for characters in several of the Nobelist’s novels. This borrowing from history is less interesting than the twisting path that eventually brings the resourceful Margot back to Monterey Bay in the 1980s with a sizable fortune and a plan to honor her father’s Monterey venture and Ed’s scientific ideas by establishing an aquarium. Chapters alternate mainly between 1940 and 1998, with the latter conveying some of the humor and challenges in running the facility; the author herself has worked at the Monterey Bay Aquarium, and the descriptions of marine life are sensuously precise. Overall, Hatton shapes a jagged coming-of-age and growing-old story with fine vignettes held together by Margot’s pluck and her commitment to feelings and memories that matter deeply.
Along with creating a fully realized, realistic heroine seen across decades, Hatton is a writer of often exceptional prose, sometimes overwrought but always thoughtful.Pub Date: July 19, 2016
ISBN: 978-1-59420-678-8
Page Count: 320
Publisher: Penguin Press
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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