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EAT ONLY WHEN YOU'RE HUNGRY

A savage tale of parenthood and squandered hope from an author whose unsparing eye never ceases to subvert the mundane.

A man goes in search of his addict son only to end up lost in his own relentless crises.

Hunter (Ugly Girls, 2014, etc.) focuses on the grotesque and unlovable in this novel that spreads like a wildfire from West Virginia down to the verdant sludge that is Florida. Meet Greg Reinart—retired accountant, compulsive overeater, 58 going on dead (if he doesn’t change his diet). His second wife, Deb, is also a retired accountant, but whereas Greg is a slovenly presence in their home, Deb is immaculately manicured, motivated, and somewhat removed, yet in a pleasant way, like a host on an HGTV show, “nothing worrisome; nothing out of place.” His son, GJ, a grown man with a harrowing drug addiction, has been missing for three weeks. Because GJ has always “felt as elusive and slippery as his own beating heart,” Greg commits to “never, ever stop looking” for his son. And so, with trepidation, Greg embarks on a precipitous search and leaves his safe home in West Virginia to RV it to his spark plug of an ex-wife Marie’s Orlando condo. While Hunter's commanding narrative hurtles forward, it also pauses to coast as Greg ruminates on his complicated past, which we come to discover motivates his own morbid obsessions. The reproachful voice of his late mother pervades his consciousness, but often, her character feels archetypal, undermining Hunter’s lurid prose with trite remarks such as, “Now it’s time for you to be a man and support your family.” Tortured by his insatiable hunger—for food, alcohol, belonging, affirmation—Greg has been made to feel inconsequential by time and fatherhood. And it gradually becomes clear that GJ might be better off on his own, outside the vortex of his father’s misery. When Marie joins Greg on his futile hunt for redemption, their messy relationship, like an alligator wakened from its slumber, pulls the story toward darker waters.

A savage tale of parenthood and squandered hope from an author whose unsparing eye never ceases to subvert the mundane.

Pub Date: Aug. 8, 2017

ISBN: 978-0-374-14615-3

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 14, 2017

Kirkus Reviews Issue: June 1, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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