by Lindsay Leslie ; illustrated by Alice Brereton ‧ RELEASE DATE: Feb. 19, 2019
A playful, interactive story that will urge readers to be brave and turn the page.
The story begins on the front endpapers with the questions “What’s going on?” and “Can someone please turn on the lights?” Black pages then fade to gray in the first pages—evidently the light has been turned on.
The book (who also happens to be the narrator) then thanks readers because, it says, “I’m afraid of the dark.” It then goes on to reveal that it’s scared of most things because it’s “spineless” and has “absolutely no sense of adventure.” The book/narrator admits that it doesn’t like stories (because stories can be “scary”). The following pages are filled with tales that the book is terrified of: the sound of a ghost story, in which the ghosts wail and clank their chains; the sight of a mystery’s “pitch-black pathways and slinky shadows” (though it wonders whodunit); the “FEEL” of a space adventure, with “rumbling rockets and woozy weightlessness” (but the stars are nice); the “SMELL” of a “whiffy wolverine or stinky skunk” in a nature story (maybe it could manage a bunny); or even the salty “TASTE” of a pirate story set upon the open seas. Leslie’s witty, fast-paced narrative and Brereton’s digital paintings work well together to create a self-referential narrative that introduces young readers to different literary genres, compositions cleverly including those story elements the book is not scared of, till by the end it seems to have grown a spine—maybe.
A playful, interactive story that will urge readers to be brave and turn the page. (Picture book. 3-6)Pub Date: Feb. 19, 2019
ISBN: 978-1-62414-658-9
Page Count: 32
Publisher: Page Street
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Patricia Toht ; illustrated by Jarvis ‧ RELEASE DATE: Feb. 14, 2023
Egg-stra special.
The creators of Pick a Pine Tree (2017) and Pick a Pumpkin (2019) cover each step of a popular Easter tradition.
The first stop for a light-skinned caregiver and child is the farm. Peering into the henhouse, they spot an egg (reminding readers that eggs don’t originate at the grocery store). More eggs are collected throughout the spring countryside and brought home, ready to hard boil. While the eggs are cooling, it’s time to prepare the dye! The lively text highlights natural methods first (“Stew some plants / to make a brew: / beets turn eggs / a rosy hue. / Spinach? Green! / Berries? Blue! / Try some herbs / or spices, too”) but also gives a nod to store-bought kits. After a full day of egg decorating, the youngster wakes up the next morning for a festive neighborhood egg hunt. Happily, treats found inside plastic eggs are not limited to sugar only; they include secret notes, tiny toys, and coins, too. (The child adds their dyed eggs to this bounty.) Sprays of bright greens, a shining sun, and dotted buds on trees as well as pastel bunting and fuzzy bunny ears and flower crowns on little ones bring a light, airy lift to this joyful community gathering. The children involved in the egg hunt are diverse in skin tone. (This book was reviewed digitally.)
Egg-stra special. (Picture book. 3-6)Pub Date: Feb. 14, 2023
ISBN: 978-1-5362-2847-2
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
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by Patricia Toht ; illustrated by Maria Karipidou
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by Patricia Toht ; illustrated by Jarvis
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by Patricia Toht ; illustrated by Jarvis
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