A warm and tender tribute to the traditions that help us hold our loved ones close.
A child lovingly honors the memory of a late parent.
Each week, Papa and the young protagonist take a walk to a special spot where Mama, “the best fisherman around,” would catch “fish after fish.” Now that it’s just the two of them, they quietly immerse themselves in memories of Mama, breathing in the smell of the lake and listening to the “sound of the water slappin’ back and forth, back and forth.” They bait their hooks, each motion a tribute to Mama, and as they wait for fish, Papa repeats an oft-told story about how Mama once landed a huge fish. They return home with a bucket of fish, still looking, still listening, carrying sounds into sleep, where the protagonist dreams sweetly of Mama and the fish. Scenes of Papa, Mama, and the child depict a family filled with love—literally connected to one another through touch. In the present, as Papa and the child experience the world without Mama, her memory remains. The world is bathed in warm pink light, reminiscent of the jacket Mama wore, and the flowers, trees, and water have a comforting, otherworldly feel. The atmosphere seems to swirl and move, alive with her memory. Both heart-filling and heartbreaking, this book is a reminder that tradition and love keep memory alive. Mama is light-skinned and blond; Papa and the child are dark-haired and slightly darker in skin tone.
A warm and tender tribute to the traditions that help us hold our loved ones close. (Picture book. 4-8.)Pub Date: April 30, 2024
ISBN: 9781542039857
Page Count: 32
Publisher: Two Lions
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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