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THE IMPORTANCE OF BEING 3

Cute but unconvincing.

“All the best things / come in three” burbles the twin-ponytailed Asian-American 3-year-old who narrates the rhyme.

The little girl is joined by a redheaded white boy with rosy cheeks and an African-American girl with a curly topknot. From three bears and three pigs to three primary colors (“Red, yellow, and blue”—each word in its proper hue), the text progresses to more nuanced concepts. Examples of learning about sharing, time-outs, and the occasional mess at dinner are tucked in. There’s some difficulty in accepting the language and activities as genuinely rising from 3-year-olds, though. The redheaded boy writes the first three letters of the alphabet neatly on a blackboard. The topknotted girl has a backpack with a Book of Haiku in it. They play hopscotch and hide-and-seek. The narrator’s favorite treat is a Neapolitan ice cream cone, clearly delineated in the pictures but very large indeed for a 3-year-old, even if she knows the name of it. At the end, the two girls are shown reading to themselves before bed, surely rare for the age. (The redheaded boy is already asleep.) The pictures, made with cut paper, ink, and pencil, are full of delightful bits and pieces that are often a little surreal: three chickens whose word balloons are French, for example.

Cute but unconvincing. (Picture book. 3-6)

Pub Date: Feb. 16, 2016

ISBN: 978-0-525-42869-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: Oct. 13, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE CRAYONS GIVE THANKS

Formulaic fare that will nevertheless charm devoted followers.

A few familiar friends explore gratitude.

Daywalt’s crayons have observed many holidays, from Christmas to Earth Day. On Thanksgiving, these anthropomorphic school supplies wax (pun intended) poetic about their favorite things to draw. “Blue is thankful for blueberries.” (The accompanying illustration depicts the stubby crayon leaping into a pile of the fruit.) Black, on a page topped by dark scribbles, “is thankful for night skies.” In an aside, Black adds, “Big, beautiful night skies I get to color in all by myself!” (Blue is perfectly fine with this.) Pink pipes up with “Three glorious words. Amazon. River. Dolphins”—which may spur readers to research these creatures. The tale turns a bit meta, too. Teal is thankful for family—both Blue and Green. Red, surrounded by hearts, is thankful for Neon Green Highlighter, who was accidentally dropped into the crayon box—a “dreamboat” for sure. Recognizable jokes from previous works make appearances; these callbacks will delight staunch fans, though others will find them tiring. Standard cheer and platitudes abound; the crayons are ultimately most grateful for each other.

Formulaic fare that will nevertheless charm devoted followers. (Picture book. 3-6)

Pub Date: Sept. 10, 2024

ISBN: 9780593690574

Page Count: 32

Publisher: Philomel

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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