by Lindsey Fitzharris ‧ RELEASE DATE: Oct. 17, 2017
In deftly capturing an “epochal moment when medicine and science merged,” the author also offers an important reminder that,...
Medical historian and popular blogger Fitzharris narrates the quest of a tenacious 19th-century doctor to save his patients; in the process, he transformed the world of surgery and medicine.
Joseph Lister’s choice to become a surgeon was not the most obvious or reputable one for a Quaker growing up as the son of an esteemed scientist acclaimed for his improvements to the microscope. In the early 1800s, a surgeon was little more than a butcher, a “manual laborer who used his hands to make a living, much like a key cutter or plumber today.” It didn’t help that surgery was extremely risky for patients. The introduction of ether to British medicine in 1846 was a critical turning point because it afforded surgeons more time to perform procedures. However, patients were still dying of post-surgical infections in high numbers, and Louis Pasteur’s ideas about germs were still academic and not widely disseminated. Lister took up Pasteur’s work and applied it to surgery, experimenting and finally finding an antiseptic and technique that successfully lowered rates of postoperative infection. He made it his mission to share his findings with a medical establishment clinging to old beliefs. It is thanks to Lister’s tenacity and belief in the efficacy of his techniques, despite widespread skepticism, that so many people today don’t have to look at surgery as a possible death sentence. Fitzharris knows how to engage readers in fascinating and shocking details about medical history. She clearly, if sometimes quickly, explains medical and scientific terms and techniques while also using novelistic details and narrative techniques to move the story along.
In deftly capturing an “epochal moment when medicine and science merged,” the author also offers an important reminder that, while many regard science as the key to progress, it can only help in so far as people are willing to open their minds to embrace change.Pub Date: Oct. 17, 2017
ISBN: 978-0-374-11729-0
Page Count: 304
Publisher: Scientific American/Farrar, Straus and Giroux
Review Posted Online: Aug. 21, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Lindsey Fitzharris & Adrian Teal ; illustrated by Adrian Teal
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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