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THIS ATOM BOMB IN ME

Childhood memories with a nightmarish tinge.

An Appalachian memoir suffused with atomic energy.

Early on in this brief narrative, Freeman (Sociology/Simon Fraser Univ.; Longing for the Bomb: Oak Ridge and Atomic Nostalgia, 2015) writes, “I want to revive a peculiar genre—sociological poetry,” a term she attributes to C. Wright Mills in describing James Agee’s Let Us Now Praise Famous Men. This book is substantively different than Agee’s, though it has plenty of photos (Agee collaborated with the famed photographer Walker Evans), drawings, and assorted cultural references. It is more like a tone poem, a slim volume filled with very short sections—vignettes, memories—that seem to follow no chronological pattern yet keep circling back to the fact that in her grandparents’ hometown of Oak Ridge, Tennessee, nuclear power was ubiquitous, like oxygen, so you barely noticed it. It was only in retrospect that the author realized the deadly connection between this “secret city engineered by the United States government,” with the deceivingly pastoral name, and the atomic destruction of Hiroshima. “For those of us in its orbit,” she writes, “its spinning is our spinning; its hard acorn body, always already full of future potential, is also our collective body, as we embody culture and place.” Within the book’s analytical orbit, Walter Benjamin and Icarus connect with R.E.M.’s “It’s the End of the World as We Know It (And I Feel Fine),” and Adam Bomb from the Garbage Pail Kids finds something of a kindred spirit in the comic-book superhero Captain Atom. Readers also learn that the co-founder of Waffle House “worked as a counterintelligence agent for the U.S. government during the Manhattan Project,” and the author’s own grandfather was an atomic courier, driving his truck full of secret cargo. The result is by no means an anti-nuclear polemic, but the cumulative impact of the matter-of-fact sections gives readers a Cold War chill at the cultural pervasiveness of such destructive energy.

Childhood memories with a nightmarish tinge.

Pub Date: Feb. 12, 2019

ISBN: 978-1-5036-0689-0

Page Count: 128

Publisher: Redwood Press/Stanford Univ.

Review Posted Online: Oct. 13, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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