Haunting and artful.
Short stories from the author of Severance, winner of the 2018 Kirkus Prize for fiction.
The narrator of “Los Angeles” lives with her husband, their children, and the children’s au pairs in the east and west wings of their home. Her hundred ex-boyfriends live in the “largest but ugliest wing.” While the narrator takes these past lovers on outings to Moon Juice and LACMA, the husband works at an investment firm. The husband’s dialogue is rendered in dollar signs. This piece feels uncanny in the Freudian sense—as if it is peopled not by actual humans but by ghosts or automata. (There are echoes of Ma’s debut novel, in which a pandemic turns people into zombies that repeat the same everyday action over and over.) In the stories that follow, Ma uses elements of the fantastic but grounds them in a reality that is more recognizably our own. “Without question, the best part of taking G is the beginning. The sensation of invisibility is one of floating. You walk around with a lesser gravity, a low-helium balloon the day after a birthday party.” “G” is the name of a story and the name of the drug the narrator of the story takes with her best friend, Bonnie, on her last night in New York. What begins as a tale about two young women engaging in low-key mayhem because no one can see them turns into a story about two girls who were pressured to become friends because they were both Chinese immigrants—although with very dissimilar experiences of life in the United States. What they want from invisibility is different, and what Bonnie wants from the friend who is about to leave her is everything. The ideas of home and belonging recur throughout the collection. In “Returning,” the narrator meets the man who will become her husband when they are both on a panel for immigrant authors. A trip to his native country to participate in a festival—a trip that is an attempt to salvage their marriage—ends in a macabre, desperate rite. Ma also writes about motherhood and academic life and abusive relationships. These are rich themes, and the author explores them with the logic of dreams.
Haunting and artful.Pub Date: Sept. 13, 2022
ISBN: 978-0-374-29351-2
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.
A routine break-in at the home of Sûreté homicide chief Armand Gamache leads slowly but surely to the revelation of a potentially calamitous threat to all Québec.
At first it seems as if nothing at all triggered the burglar alarm at Gamache’s home in Three Pines; it was literally a false alarm. It’s not till he receives a package containing his summer jacket that Gamache realizes someone really did get into his house, choosing to steal exactly this one item and return it with a cryptic note referring to “some malady…water” and “Angelica stems.” Having already refused to meet with Jeanne Caron, chief of staff to Marcus Lauzon, a powerful politician who’s already taken vengeance on Gamache and his family for not expunging his child’s criminal record, Gamache now agrees to meet with Charles Langlois, a marine biologist with ties to Caron who confesses to a leading role in stealing Gamache’s jacket. Their meeting ends inconclusively for Gamache, who’s convinced that Langlois is hiding something weighty, and all too conclusively for Langlois, who’s killed by a hit-and-run driver as he leaves. The news that Langlois had been investigating a water supply near the abbey of Saint-Gilbert-Entre-les-Loups sends Gamache scurrying off to the abbey, where the plot steadily thickens until he’s led to ask how “an old recipe for Chartreuse” can possibly be connected to “a terrorist plot to poison Québec’s drinking water.” That’s a great question, and answering it will take the second half of this story, which spins ever more intricate connections among leading players that become deeply unsettling.
One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.Pub Date: Oct. 29, 2024
ISBN: 9781250328137
Page Count: 432
Publisher: Minotaur
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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