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A BLESSED CHILD

A novel of stark beauty that leaves moral issues tantalizingly open.

A novel about growing up, growing older and trying to find some accommodation with the past.

Oslo, Norway, resident Ullmann (Grace, 2005, etc.) creates a remote and craggy setting and inhabits it with Isak Lövenstad, an equally remote and craggy personality. Lövenstad is a prominent gynecologist with three daughters, each by a different mother. As his daughters were growing up, they spent time with him at his summer house on the fairly remote—but now increasingly touristy—Baltic island of Hammersö. In 2005 his eldest daughter, Erika, now 39, is going to visit her father on a bitterly cold and blustery December day, and she’s persuaded Laura and Molly, her two half-sisters, to join her. For 25 years all three have been estranged from their father. While the first part of the narrative focuses on Erika’s circuitous journey to the island and on her rocky domestic relationships, it becomes increasingly obsessed with flashbacks to the girls’ summers on the island—part idyll, part nightmare. (Perhaps this fragmentation of time shouldn’t be so surprising considering the author is the daughter of Ingmar Bergman, known for the chronological fluidity of his films.) We learn in particular of a strange boy named Ragnar, in some ways a double of Erika—born on the same day, almost at the same hour—but physically deformed, in contrast to Erika, the most beautiful of the three sisters. Still, Erika feels unaccountably attracted to Ragnar, to his strangeness and to his obvious alienation from society. When they’re both 14, they meet for trysts at his out-of-the-way hut deep in the woods. Eventually, however, Erika, along with her sisters and with some friends she wants to impress, winds up betraying Ragnar in a horrifying way, and at a deep level she feels her father has abetted this betrayal. Her journey back to Hammersö is an attempt to reconstruct, and perhaps atone for, her past.

A novel of stark beauty that leaves moral issues tantalizingly open.

Pub Date: Aug. 15, 2008

ISBN: 978-0-307-26547-0

Page Count: 320

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2008

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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