An imperfect but savvy commingling of apocalyptic and polemic.
Shriver, nobody’s idea of an optimist about the present day, delivers a dire vision of near-future America.
The collapse of the United States arrives in 2029, not via climate change or airborne viruses or zombie hordes, but international monetary policy: foreign governments establish their own currency, the bancor (a concept first proposed by economist John Maynard Keynes), and when the U.S. resists, it’s effectively locked out of global trade. America speedily goes into free fall, with rampant shortages and inheritances vaporized by high costs, unemployment, and human longevity. The Mandible family is just barely hanging on: Florence, who has one of the few stable jobs left (working at a homeless shelter), is forced to open her Brooklyn home to desperate family members, including a humiliated economist brother-in-law, a sister whose career as a novelist tanked along with all print media, and her once-wealthy grandfather who has only a silver service left to his name and whose second wife suffers from violent dementia. Almost gleefully, Shriver (Big Brother, 2013, etc.) catalogs how this upper-middle-class clan gets knocked off its perch in ways both small (toilet-paper shortages, overcrowding) and large (rampant theft and violence, starvation, zero health care, general erosion of humanity). Politically, this may be the only novel Mother Jones and breitbart.com can both take an interest in, though it might tire them both, too: the closing chapters, set in a scorched-earth 2047, are overly didactic on themes of individual rights, taxation, and citizenship. “Plots set in the future are about what people fear in the present,” as Florence’s brother-in-law puts it, and Shriver’s biggest fear is that, between numbing technology and nanny-statedom, we’ve lost our capacity to live by our wits. This novel is a bracing vision of what happens when we’re forced to, though the lecturing tone sometimes grates.
An imperfect but savvy commingling of apocalyptic and polemic.Pub Date: June 21, 2016
ISBN: 978-0-06-232824-3
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: March 16, 2016
Kirkus Reviews Issue: April 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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