by Lionel Trilling ‧ RELEASE DATE: June 15, 1965
Throughout most of the essays collected here, Professor Trilling stresses three interlaced themes: the subversive intent of modern literature; its growing accomodation within the culture at large; and its generally uncritical reception Within the university. Professor Trilling finds something oddly disturbing about all this, for if modern literature preaches rebellion against the status quo, what happens when the status quo absorbs (or even agrees with) such rebellion? The answer is: Nothing. Much of modern art, the professor implies, has become the new traditionalism, and therein lies the falsity of our culture, or at least its impasse. The professor's argument, however, is extremely difficult to paraphrase, partly because of the intricacy of the subject itself, and partly because his style is so refined the reader is never quite sure what exactly the professor is talking about. Indeed as Trilling has become more and more of a gray eminence, his prose has correspondingly taken on the airs of some lordly, old-fashioned Englishman. Nevertheless, the book is of the utmost importance, and in its genteel way, quite challenging. Of the eight essays, four are already well -known: ; the brilliant "On the Modern Element in Modern Literature," "The Fate of Pleasure," a study of Romantic and existentialist attitudes towards society, a lecture on Freud, and a discussion of the Snow-Leavis controversy over The Two Cultures. The others concern, respectively, Jane Austen, Hawthorne, Babel, and a concluding appraisal of the teacher's role. All of the essays have been carefully wrought, all are impressive, and all demand re-reading.
Pub Date: June 15, 1965
ISBN: 0151119872
Page Count: -
Publisher: Viking
Review Posted Online: May 23, 2012
Kirkus Reviews Issue: June 15, 1965
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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