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FIRST, DO NO HARM

When should life-support be withdrawn? What level of medical care is appropriate for whom? These and other tough questions— too tough (or too hot) for one person to handle—are faced by ethics committees that now are as commonplace in hospitals as respirators and government regulations. Here, New York Times reporter Belkin tells how one such group deals with questions like these. Belkin spent three years observing the ethics committee's meetings at Hermann Hospital in Houston, Texas, talking to doctors, committee members, patients and their families. Nearly all gave permission for their real names to be used, which says something about Belkin's empathy and discretion. Besides describing the dynamics of meetings and delving into the background of some members, the author focuses on a few patients whose plight the committee is asked to consider: Patrick, a 15- year-old with a chronic, incurable disorder of the digestive tract; Taylor, born at 25 weeks and weighing only 24 ounces; Armando, a young man with a bullet in his brain that has paralyzed him from the neck down; and Landon, a baby born with severe spina bifida. Decisions must be made, and Belkin shows how the committee makes them, demonstrating that there are never easy answers and sometimes no right ones. There are no perfectly happy endings, either: Patrick and Taylor die; Armando and Landon live, but the quality of their lives is debatable. Nevertheless, the narrative is not depressing, as the individual stories are always absorbing and Belkin relates them with warmth and understanding. A behind-the-scenes account that's hard to put down and difficult to forget.

Pub Date: Feb. 12, 1993

ISBN: 0-671-68538-4

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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