An unsparing exploration of the injustices wrought by misogyny and settler colonialism.
A bighearted portrait of an Indigenous woman whose transracial adoption spurs a lifelong quest to discover—or perhaps create—her identity.
Born in the 1970s to a White, unmarried teenage mother and a Métis/Cree father, Ruby is placed in foster care and eventually adopted by a White couple who “couldn’t afford to be too choosy” about the baby’s Indigenous heritage. Ruby’s adoptive father, a seldom-employed alcoholic, leaves the family when Ruby is an adolescent. Ruby remains unhappily with her mother, Alice, who makes her wear a huge hat because her skin "instantly browned up in the sun" and who won’t help her daughter research her Indigenous roots. Deprived of both her own history and real affection as she comes of age, Ruby grasps for satisfaction where she can find it, often resorting to alcohol and sex with unworthy partners. The novel is composed of chapters dated by year and titled with the names of people who have shaped Ruby, including her adoptive and biological parents, boyfriends, and social workers. The random ordering of the vignettes—ranging from 1950 to 2018—can be confusing. Some chapters are told from Ruby's perspective and involve figures in her life, while others assume the points of view of family members Ruby never meets. The chapter about Ruby's pregnant birth mother is a heartbreaking account of what happens when women lack reproductive freedom, and the chapter that follows Ruby's grandfather convincingly renders the abuse he suffers as a student at one of Canada’s notorious residential schools for Indigenous children. Sometimes the fragmented narrative is unsatisfying: As soon as one character’s central trauma is revealed, the novel moves on to another, leaving little opportunity for development. Only Ruby is fully realized by the end. But readers may forgive clunky prose and spans of exposition for the chance to spend time with this complicated character with a big laugh and a guarded but vulnerable heart.
An unsparing exploration of the injustices wrought by misogyny and settler colonialism.Pub Date: April 5, 2022
ISBN: 978-0-593-44867-0
Page Count: 304
Publisher: Hogarth
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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