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LITTLE GIRL LEAVING

A NOVEL BASED ON A TRUE STORY

A disturbing and illuminating tale about sexual abuse.

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A debut novel offers the first-person point of view of a young girl abused and assaulted by her family.

To outsiders, Deidi might seem like a normal, quiet little girl. Her family places presents around the tree at Christmas and shares loving moments. But what Deidi has been through by the time she’s 7 years old is a litany of horrors. As this book starts, her family is about to move from a rural community to a bigger city in Washington state. She is packing up her belongings and remembering the last four years of her life, starting from 1968. Her first memory is her third birthday party, surrounded by her mom and dad; her brother, Matty; her grandparents; and her great-grandparents. It’s a joyful recollection, but there are linguistic clues that things will change. Deidi describes her father, revealing, “Mommy says he’s handsome if she’s happy.” Readers learn that Matty has violent tendencies when he kills a kitten for fun. Then they see Deidi’s father enter her room late at night. When he strips her, she thinks she’s going to be spanked. Instead, her father molests her, the first of many instances detailed in the story. Deidi’s mother covers for him, even making the girl feel responsible for his actions at times. She tells Deidi she can never tell anyone about the things her father and brother do or they’ll be taken away. Deidi doesn’t understand her predicament—she’s knows she’s been bad because of how the adults react, but she can’t figure out what she’s done wrong. The abuse is a family epidemic. Deidi’s grandfather and uncle molest her, and her father lets his friends sexually abuse her and Matty. By age 7, she has a hard time distinguishing between reality and the place she goes when life gets too painful. This novel, “based on a true story,” is a harrowing read, and it should be. Blume captures Deidi’s innocence beautifully: how she tries to be good; the inviting fantasies she wishes were reality. The terrible things she endures stand out that much more for it. The author, who works as a producer of public service media and research projects, says she hopes the book “will help adults to experience life as a very young child who needs them does.” This enlightening work skillfully does that and more.

A disturbing and illuminating tale about sexual abuse.

Pub Date: N/A

ISBN: 978-0-692-10406-4

Page Count: 340

Publisher: Illumine LLC

Review Posted Online: Nov. 19, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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