by Lisa Brown ; illustrated by Lisa Brown ‧ RELEASE DATE: March 21, 2023
A wonderfully effective, reassuring look at an often scary experience.
A child visits the hospital.
“When I went to the hospital, I cried nine times,” notes the brown-skinned narrator, who also appears in The Airport Book (2016). Her tears begin at the pain in her stomach, which causes her parents—one Black, one White—to rush her to the hospital. Other tearful moments include jostling painfully over a speed bump en route to the emergency room, fretting in a hectic waiting room, and feeling doctors press her stomach. And when she’s diagnosed with appendicitis, which requires surgery, she and her parents cry a little. At night, she cries because of funny smells, beeping machines, and loneliness, though a parent snores nearby. But some things aren’t scary—her hospital gown and bracelet and grippy socks, for instance. The narrator’s matter-of-fact tone and step-by-step descriptions of everything from admission to discharge (a cause for happy tears) are calming, and friendly doctors and nurses offer further encouragement in speech-balloon dialogue. Cartoon illustrations gently depict procedures such as an ultrasound and IV insertion and add occasional humor, as when a passing Sherlock Holmes answers “Elementary” to a page for Dr. Watson. Framing the story by counting the number of times the protagonist cries—and doesn’t cry—is an inspired choice that acknowledges fears but also bolsters readers. A bustling medley of racially diverse background characters invites readers to imagine their stories as well. (This book was reviewed digitally.)
A wonderfully effective, reassuring look at an often scary experience. (author’s note) (Picture book. 4-8)Pub Date: March 21, 2023
ISBN: 978-0-8234-4665-0
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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