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PETAL AND POPPY AND THE SPOOKY HALLOWEEN!

From the Petal and Poppy series

Although this husband and wife team put forth a good effort, the characters have only mild appeal when compared to the likes...

Good friends Petal and Poppy alternate fears during Halloween night in their third series adventure.

Costumed as a horned, red, furry monster, rhino Poppy sneaks up on unsuspecting Petal to scare her. The incident leaves elephant Petal spooked and resistant to wearing a scary costume like her buddy. Poppy coaxes her into joining in, and Petal decides to dress up like a butterfly. Sharing a bicycle while on their way to a Halloween party, Petal is easily frightened by the costumed characters they encounter. Brave Poppy reminds Petal, “Do not be a scaredy-cat. They are only costumes.” A sudden crash leaves the pair stranded in front of a spooky house. Poppy is sure someone inside can help, but upon entering, Poppy’s nerve begins to weaken. (Petal remains outside.) While Poppy wanders inside, becoming increasingly frightened, a real ghost floats out to greet Petal. Thinking it is just a costume, Petal asks the creature for help fixing their bike. Clough’s use of repeated phrases will help build confidence in emergent readers, while Briant’s paneled cartoon illustrations ably show the swift and slightly comic role reversal. All ends well as creatures in costumes along with the real ghost gather at the Halloween party.

Although this husband and wife team put forth a good effort, the characters have only mild appeal when compared to the likes of Elephant and Piggie or Frog and Toad. (Graphic early reader. 4-8)

Pub Date: Aug. 26, 2014

ISBN: 978-0-544-33602-5

Page Count: 32

Publisher: HMH Books

Review Posted Online: July 15, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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