This story would serve young adults dealing with mental health issues and anyone who seeks to understand them.
A diagnosis of bipolar disorder derails a young woman’s college experience.
Maddy Banks has just finished her freshman year at NYU when she has her first episode, seemingly out of nowhere. High school was a breeze, though she allowed her boyfriend to monopolize so much of her time that she graduated without friends. Then he broke up with her, and she spent the next year grieving instead of partaking in college life. When mania hits, Maddy believes Taylor Swift wants her to write her biography and Netflix wants to give her a comedy special. The lows involve cutting and suicidal acts. For the next year or so, Maddy, her mother, and her older sister try to adjust to a new normal that includes medication, hospital stays, therapy, sobriety, and mood check-ins—a two steps forward, one step back dance that trips them up more than it keeps them in sync. Genova has a great grasp of bipolar disorder and how it can manifest in daily life. The story is told from Maddy’s perspective, which provides a firsthand account of manic depression but also limits the book’s possibilities. Maddy grew up in an affluent Connecticut suburb, and she’s the definition of sheltered. The other characters, who might have provided a more rounded picture, have no depth. Maddy’s mother relishes her role as a trophy wife, her stepfather is a rich afterthought, and her older brother and sister are perfect, establishing Maddy as the black sheep of the family. The setup feels stale considering how much mainstream discourse around mental illness has changed in the last decade. Selena Gomez made a whole documentary about bipolar disorder, but Maddy doesn’t even seem to Google it. Genova makes Maddy’s interest in standup comedy a central part of the story, meaning she had to write some funny bits for her character; she clearly studied the subject and deserves kudos for taking the risk, but the novel stays firmly in the territory of after-school specials.
This story would serve young adults dealing with mental health issues and anyone who seeks to understand them.Pub Date: Jan. 14, 2025
ISBN: 9781668026168
Page Count: 368
Publisher: Scout Press/Simon & Schuster
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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