When 12-year old Lucy learns the family pharmacy might close, she decides to attract customers using her preternatural knowledge of make-up application and products. When not giving the homecoming queen lip-gloss advice and booking appointments, Lucy helps her best friend Sunny deal with the many mini-mortifications of a first crush. The squeals, giggles and tiffs between these best buds teetering on adolescence allow readers a glimpse of true tweendom. Boys still seem mysterious, like aliens, and to Lucy they remain more annoying than infatuating. Preteens will enjoy Lucy’s sweet first-person narrative, a disarming combination of innocence and earnestness. She feels sick of adults patronizing her and treating her like a little kid, particularly her flaky mom and no-nonsense grandma. A Going Green grant for local businesses seems a perfect way to make the pharmacy relevant again and prove that she should be taken seriously. Greenwald clearly takes preteens seriously, emphasizing their ardent concern for the environment and desire for change. This refreshing novel successfully delivers an authentic and endearing portrait of the not-quite-teen experience. (Fiction. 9-13)
Pub Date: March 1, 2009
ISBN: 978-0-8109-8352-6
Page Count: 256
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
The poem/novel ends with only a trace of hope; there are no pat endings, but a glimpse of beauty wrought from brutal reality.
Billie Jo tells of her life in Oklahoma during the Dust Bowl: Her mother dies after a gruesome accident caused by her father's leaving a bucket of kerosene near the stove; Billie Jo is partially responsible—fully responsible in the eyes of the community—and sustains injuries that seem to bring to a halt her dreams of playing the piano.
Finding a way through her grief is not made easier by her taciturn father, who went on a drinking binge while Billie Joe's mother, not yet dead, begged for water. Told in free-verse poetry of dated entries that span the winter of 1934 to the winter of 1935, this is an unremittingly bleak portrait of one corner of Depression-era life. In Billie Jo, the only character who comes to life, Hesse (The Music of Dolphins, 1996, etc.) presents a hale and determined heroine who confronts unrelenting misery and begins to transcend it.
The poem/novel ends with only a trace of hope; there are no pat endings, but a glimpse of beauty wrought from brutal reality. (Fiction. 9-12)Pub Date: Oct. 1, 1997
ISBN: 978-0-590-36080-7
Page Count: 240
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1997
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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