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DEVIL IN DISGUISE

From the Ravenels series , Vol. 7

Undemandingly pleasurable and guaranteed to go on the reread shelf.

A Scottish distiller, a businesswoman in Victorian London, an explosive attraction.

Kleypas' beloved Wallflower/Ravenels series crossover continues with the next generation of feisty descendants, this time Lord Marcus and Lady Lillian Westcliff’s widowed daughter. Drawn irresistibly to a client of her shipping company, Lady Merritt Sterling coaxes an equally smitten Keir MacRae to spend a night with her. While convinced that their unequal birth and upbringing make them ill-matched for a real relationship, Keir tells himself it’s a memory he can cherish forever. But disaster strikes soon after, allowing Kleypas to deploy the classic "nursing a hurt lover to recovery" trope, with a twist that turns Merritt and Keir's bond into a variation of the second-chance romance. As the search for the cause of the attack on Keir leads to questions about his birth, a favorite Wallflower character looms large, with plenty of clues (including the title) to tell the reader why our hero is mistaken about his lineage. The third act is slightly anticlimactic, with all the nonromance action having occurred in Act 1 and served as a plot device to bring the romance and other relationships into being in Act 2. While Kleypas takes no risks to push her oeuvre in new directions, the novel abounds in the vintage pleasures of her writing: finely drawn characters; a tactile, sensuous style in both the sex scenes and the landscape descriptions; banter that illustrates the emotional compatibility of romantic partners; dual points of view that show both the hero’s and the heroine’s interior lives; moving moments of familial ties; and glimpses of couples from other novels to assure us that love lasts forever.

Undemandingly pleasurable and guaranteed to go on the reread shelf.

Pub Date: July 27, 2021

ISBN: 978-0-06-237196-6

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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  • New York Times Bestseller

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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