A socially conscious novel of art and ideas.
Three girls walk into a bedroom in the New Jersey suburbs in 1983...and many decades later, into a dystopian future.
Soon-to-be seventh graders Giselle Chin and Jackie Ong are hiding from a Fourth of July party, making prank calls in the host’s bedroom, when Ellen Ng walks in and asks if there’s anything else to do for fun around here. The three wander across the street into a parallel gathering and help themselves to someone else’s hamburgers. “This was the beginning, what Giselle would describe, years later...as...the SEEDS of our aesthetics...we saw each other for who we were // masked weirdos, undercover pranksters.” This ominously pretentious-sounding observation appears in one of the year-long conceptual artworks Giselle eventually becomes famous for: Mall Piece, 1995-96; Memory Piece, 1996-97; and Death Piece, 1999-2000. Meanwhile, Jackie grows up to be a visionary software developer, creating a site where people keep online diaries for public consumption and taking part in New York City’s Silicon Alley dot-com boom. Ellen continues her rabble-rousing ways, publishing a zine and then establishing a squat on the Lower East Side. Though they lose track of each other from time to time, the three come to realize that “friendships were circular, that you could never fully lose touch.” After moving their stories across the bridge to the new millennium, the narrative leaps ahead to the 2040s, where the political situation has become a nightmare, though not a particularly intriguing one, and supporting characters proliferate while ones we care about fade from view. Though full of interesting action and sharp observation, Ko’s follow-up to The Leavers (2017) fails to whip up much narrative tension beyond the mystery created by the photographs that appear from time to time, captioned with complicated archival labels. In the end, the book’s elaborate conceptual structure dominates the characters who inhabit it.
A socially conscious novel of art and ideas.Pub Date: March 19, 2024
ISBN: 9780593542101
Page Count: 304
Publisher: Riverhead
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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