This timely novel depicts the heart- and spirit-breaking difficulties faced by illegal immigrants with meticulous...
A Chinese woman who works in a New York nail salon doesn’t come home one day; her young son is raised by well-meaning strangers who cannot heal his broken heart.
We meet Bronx fifth-grader Deming Guo on the day his mother disappears without a trace. From there, the story moves both forward and backward, intercutting between the narrative of his bumpy path to adulthood and his mother’s testimony. Gradually the picture comes together—Deming was conceived in China and born in America because his unmarried mother, Peilan, decided she would rather borrow the $50,000 to be smuggled to America than live out her life in her rural village. After her baby is born she tries to hide him underneath her sewing machine at work, but clearly she cannot care for him and work enough to repay the loan shark. She sends him back to China to be raised by her aging father. When Deming is 6, Yi Ba dies, and the boy rejoins his mother, who now has a boyfriend and lives with him; his sister, Vivian; and her son, Michael. After Peilan disappears, Deming is shuffled into foster care—his new parents are a pair of white academics upstate. Ten years later, it is Michael who tracks down a college dropout with a gambling problem named Daniel Wilkinson and sends a message that, if he is Deming Guo, he has information about his mother. The twists and turns continue, with the answers about Peilan’s disappearance withheld until the final pages. Daniel’s involvement in the alternative music scene is painted in unnecessary detail, but otherwise the specificity of the intertwined stories is the novel’s strength. Ko’s debut is the winner of the 2016 Pen/Bellwether Prize for Fiction for a novel that addresses issues of social justice, chosen by Barbara Kingsolver.
This timely novel depicts the heart- and spirit-breaking difficulties faced by illegal immigrants with meticulous specificity.Pub Date: May 2, 2017
ISBN: 978-1-61620-688-8
Page Count: 352
Publisher: Algonquin
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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