In the end, this classic midseries entry seems mostly designed to set up the next volume, but fans probably won’t mind.
The second book in The Last Magician series picks up right after the cliffhanger conclusion of the first volume.
Time-traveling Esta and presumed-dead Harte, both Mageus, are on the run beyond the Brink in search of powerful magical artifacts in the primary storyline, which time-skips from 1902 to 1904. Back in New York, still in 1902, Viola and Jianyu, along with Cela, have their own secondary adventures; the three characters, respectively a white lesbian, a Chinese immigrant, and an African-American, also serve to illustrate some of Maxwell’s (The Last Magician, 2017, etc.) thoughtful push back on racism, sexism, and xenophobia, even if they are somewhat centrally cast (especially Jianyu). Both narratives contain action and plenty of baddie Jack Grew (J.P. Morgan’s fictional nephew, representative of toxic white male power), and magic continues to serve as an allegory; Esta and Harte’s adventures in St. Louis at the (carefully researched) Exposition bring them into contact with magic activists–cum-terrorists, which furthers the ways Maxwell examines power and morality. Sadly, multiple perspectives and frequent jumps between two timelines, sometimes with single-page chapters, rob the narrative of flow and tension, making this doorstopper drag.
In the end, this classic midseries entry seems mostly designed to set up the next volume, but fans probably won’t mind. (map, author’s note, further reading) (Historical fantasy. 12-adult)Pub Date: Oct. 9, 2018
ISBN: 978-1-4814-9445-8
Page Count: 704
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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