While her privilege never quite catches up with her, this hapless protagonist will leave younger readers laughing—and...
In Owens’ rollicking debut novel, an indecisive millennial wallows in “voluntary unemployment,” trying the patience of everyone around her.
When Claire Flannery decides to leave her job in “creative communications” to find a career she’s more passionate about, she first has to figure out where her passion actually lies. Her live-in boyfriend, Luke, happens to be a brain surgeon–in-training, and Claire envies his clear-cut path to success. In the meantime, all her friends have climbed London’s corporate ladder, leaving Claire to wonder where she fits in her social circle. Brash but observant, Claire has a tendency to speak without thinking, which lands her in hot water with her mother. Without the emotional support of her parents, Claire begins an inevitable downward spiral, drowning her sorrows in gallons of wine, self-pity, and bad decisions. Thankfully, Owens uses quick, sharp vignettes to move us through Claire’s London, so we’re never asked to wallow with her main character for too long. These sketches have the added benefit of giving us snapshots of Claire’s interior struggle. With trademark 20-something selfishness, Claire has the ability to turn even a toothbrush cup on the sink or a weed growing out of a foundation into a metaphor about her failed life. To her credit, Owens deploys a deft sense of humor to help us laugh at the incongruities of contemporary upper-middle-class crisis. In Owens’ hands, even Claire’s long-overdue visit to a dentist results in a misunderstanding that sums up the shame, absurdity, and hopefulness of the overskilled, underemployed worker. Since Claire already has Luke, Owens frees her character from the constraints of the marriage plot haunting similar rom-com titles like Bridget Jones’s Diary. Rather than, “Reader, I married him,” we get the sense Claire might wind up happily dating a new career, if only she can decide on one.
While her privilege never quite catches up with her, this hapless protagonist will leave younger readers laughing—and wincing—in recognition.Pub Date: May 3, 2016
ISBN: 978-0-8129-8881-9
Page Count: 256
Publisher: Dial Press
Review Posted Online: March 2, 2016
Kirkus Reviews Issue: March 15, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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